Rushes

Here's something worth cheering: this summer, two big-budget Hollywood adventure movies, Bad Boys and Crimson Tide, have broken the $50 million mark with African-American men in colorblind leading parts--Martin Lawrence and Will Smith as tough Miami cops in the former film, and Denzel Washington as a by-the-book nuclear sub commander in the latter. The script for Crimson Tide was designed as a Tom Clancy-type technothriller in which the plot hook (mutiny on a submarine) is the real star. Ditto the maverick lawman parts played by Lawrence and Smith in Boys.

The Bad Boys project floated around Hollywood for a decade and was always intended as a generic buddy-cop flick in the 48 Hrs.-Running Scared-Lethal Weapon vein. However, Bad Boys wasn't specifically envisioned as a salt-and-pepper, demographic crossover project. According to Premiere magazine, the closest it came to actually getting made in the past was three years ago, when it was presented to Paramount pictures as a vehicle for John Lovitz and Dana Carvey.

Kudos belong to master glitz peddlers Don Simpson and Jerry Bruckheimer, who produced both movies. Their track record of glitzy, content-free megahits includes films showcasing both white stars (Top Gun, Days of Thunder, Flashdance) and black (Beverly Hills Cop I-III). Their almost obscene financial success demonstrates that if you give moviegoers a halfway-involving concept and a couple of interesting performers, they won't think to make a skin check before they lay their money down at the ticket window.

University of Texas at Austin graduate Matthew McConaughey, who first gained a cult following as the eternal high schooler Wooderson in Richard Linklater's 1993 comedy Dazed and Confused, has won the lead in the new John Grisham film A Time to Kill. McConaughey was equally superb as the honor-bound cop in Boys on the Side and as the gibbering psychopath in Return to Texas Chainsaw Massacre. But thus far, A-list fame has eluded him. Since Grisham personally installed him in the part over such better-known actors as Val Kilmer and Woody Harrelson, and since he'll be starring opposite such major clout-swingers as Sandra Bullock and Samuel L. Jackson, it's safe to assume he's finally arrived.

--Matt Zoller Seitz (reeling@aol.com)

 
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Box Office

  1. Star Trek Into Darkness, 70.2 mil, 83.7 mil
  2. Iron Man 3, 35.8 mil, 337.7 mil
  3. The Great Gatsby, 23.9 mil, 90.7 mil
  4. Pain & Gain, 3.2 mil, 46.7 mil
  5. The Croods, 3.0 mil, 177.0 mil
  6. 42, 2.8 mil, 88.8 mil
  7. Oblivion, 2.3 mil, 85.6 mil
  8. Mud, 2.2 mil, 11.7 mil
  9. Peeples, 2.2 mil, 7.9 mil
  10. The Big Wedding, 1.2 mil, 20.3 mil
Movie Title, Weekly Earnings, Total Earnings
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