By Lauren Drewes Daniels
By Alice Laussade
By City of Ate
By Scott Reitz
By Lauren Drewes Daniels
By Alice Laussade
But there is still no truly great Italian food in Dallas (though there are some exciting chandeliers), and the why of this has always seemed simple: There are not enough Italians. It may take a village to raise a child, but it certainly takes a culture to create a cuisine. Before you reach for the phone, let me acknowledge Campisi's, Lombardi's, LaBarba's, et al. and their contributions to the city's palates. Nevertheless, admit that for the most part, Dallas Italian food remains second-rank.
Which is odd, because Italian food has overwhelmed the American dining scene in recent years; in this country there are more restaurants that serve Italian food than almost any other single cuisine, and Italian dishes are making their way onto the menus of completely non-Italian restaurants. Generally, it's impossible to avoid pasta. Linguine has even slithered its way onto the table at restaurants specializing in famously chauvinistic French cuisine--as Parmigiano Reggiano and risotto have pushed Brie and quiche right off the table. And some Chinese restaurants have taken to calling their noodles "pasta." Still, the sad fact is, though there are several excellent, high-end Italian restaurants in Dallas, dependably good, neighborhood Italian restaurants are still discouragingly scarce. I know. I've been looking.
Take Nero's Italian, for instance. A pretty hip place when it opened, with a style beyond the red-checks-expected, and an edge that made it a natural fit for its neighborhood (the then very hot Lower Greenville Avenue). Nero's served an ambitious, vividly flavored menu, ahead of its time, before Italian was trendy. Then Greenville cooled (it's just now starting to warm up again), and Nero's was absorbed by the Momo's group, a minichain of Italian restaurants that has grown from the seed of a single, family-owned cafe in an unchic location west of Forest Lane. Momo's is known for good food and grumpy service--maybe that partially explains my past few visits to Nero's, where our waiter seemed resentful of our presence.
Its dark-red walls and dim lighting still combine to make Nero's a relaxing, intimate little place, and there are great Godfather touches like the gilded saints that hold the lamps in the step-up booths. But the opera background music is now leavened with soft pop tunes, and the blackboard on the wall lists not-so-very specials. And the food on my past few visits has all been spectacularly bland.
Nero's once was famous for its "pink garlic bread" and Caesar salad--that was, however, before Caesar salad became a drive-through option and "bruschetta" became part of our vocabulary. Now it just seems embarrassingly affected to call something "pink garlic bread." The Caesar salad may indeed have 19 ingredients, as the menu promises it does, but you can't taste any of them. Instead, the salad is doused with just enough heavy dressing to drown out the fresh taste of the lettuce. Who needs 19 ingredients to make a Caesar salad, anyway? If Nero's substituted garlic for about 15 of those ingredients and anchovies for a couple more, it would have something besides a bowl of wet lettuce. The "pink garlic bread," diagonal slices of puffy commercial Italian bread topped with tomatoes and some melted mozzarella, was like toaster-oven pizza--a dish that seemed great when we were just learning.
Pasta is a great medium for strong flavors--its very mildness should inspire freewheeling invention in the kitchen, its delicacy of flavor challenge the cook to concoct a topping that complements without overwhelming. But the pastas we tried at Nero's were undersauced and underseasoned, and the pasta itself was flavorless. Rigatoni Vesuviana sounded good: It called for "chunky tomatoes," "lots" of fresh basil and garlic, and cubes of mozzarella--a dish that should have packed all the good flavors of late summer into a single dish, and all the ingredients were present and accounted for. Unfortunately, they didn't taste like anything. The tomatoes were watery, the basil was sweet, the garlic was vague. We tried linguine fra diavolo, the devil's brother's dish, vaunted as "Nero's most popular dish for 10 years." I've cursed dishes labeled diavolo before for blistering my taste buds, and I dislike food that's macho hot, but this was way wimpy. Not even the devil's baby would claim this unpeppered pap.
In contrast, Alfredo's Cafe, not far from Nero's, is unpretentious neighborhood Italian dining, although its neighborhood is largely Hispanic, not Italian. It's in an unlikely location on the pie-slice corner of Henderson and McMillan that used to house a rundown cigarette and beer store. A little cafe, the tables laid with red cloths, Alfredo's pays some bills by stocking a supply of cold wine and beer and delivering pizza and party trays. But the kitchen turns out a full-scale Italian menu and serves surprisingly good wines by the glass. And the food is mostly good, but maybe it gains a slight edge because the appearance of the place doesn't encourage your expectations. It's an anomaly, you figure, to be served these thick, crusted slices of good bread with your wine; you had every right to expect commercial white bread, soft-textured stuff loaded with propionate, molded into a long loaf and disguised as an Italian loaf. Then, when you taste these spinach balls--wads of spinach and ricotta seasoned with nutmeg, poached, and served with a lightly cooked tomato sauce--you're definitely and pleasantly surprised. The toasted ravioli is fine, too, at least on first bite, the crumbed and crisp morsels stuffed with mystery meat, with more marinara (don't get tired of it yet) to dip them in. But they cool quickly, and then the pasta squares turn rubbery and tough.