By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
By Anna Merlan
By Lee Escobedo
By Eric Nicholson
On one stop, his boat was moored in the Solomon Islands. "I was sitting on the fantail," Thompson recalls, "just playing the guitar. All these natives were hanging around selling beads and shells from these outrigger canoes, and this one kid heard me, and motioned to me to give him the guitar. I did, and he kinda held it"--here Thompson mimics a beginner's tentative holding of an instrument--"and started singing 'San Antonio Rose.' Well, he really liked it, and he offered me all his beads--the whole canoe full--and of course I said no. He paddles off, and after a while he comes back, with another canoe, just as full of shells, and there's a young girl in there, too, and she was part of the deal. He was offering me all of his worldly possessions--but I told him that I didn't think the Navy would like that, so I'd just keep the guitar."
After the war, Thompson ended up attending Princeton, the University of Texas, and finally Southern Methodist University, studying electrical engineering on the GI Bill. He was discharged in 1946 and stopped by radio station WACO to inquire after his old job. "When I left, it was all shakin' hands and 'give 'em hell,' 'God bless and good luck,' and 'your job'll be waiting for you when you get back,'" Thompson recalls. "So I asked them about my old radio show and found out it was a little different story.
"I told them I was a lot better now, and they said they'd call me. I was really disappointed, standing there on the street, and I ran into this ol' boy who told me about this new station, KWTX, right around the corner, so I went over there. The carpenters were still working on it. The manager was a guy I knew, so I did a few songs for 'em, and they were really impressed."
One of the songs that caught the attention of the radio people was "My Brazos Valley Rancho," a song Thompson had written on gold-embossed Navy stationery aboard the tug. "When they heard that, they said, 'That's your theme song!' They put me on at 12:15 p.m., right between Cedric Foster, the top-rated news commentator, and Queen For a Day, the number one daytime radio show. The mail just started pouring in," Thompson says.
Soon he was getting requests for personal appearances. Although he was still solo on KWTX, he put together a band of locals and started playing schoolhouses and a few dances here and there. His dad--although he never did really think of singing as a legitimate occupation--helped him out by buying him a brand-new 1946 Chevrolet. "He paid for that car with fifteen $100 bills," Thompson recalls. "I had never seen a $100 bill before."
Hank would often stop by Shelby Music Company, a business that serviced local jukeboxes. Its owner went to Dallas every week to buy stock, and knew there was a guy from California who was looking for new country talent. So Thompson went to Dallas' famed Sellars Studios and cut his first single--"Swing Wide Your Gate of Love," b/w "Whoa Sailor"--for the small Globe label. His backup band included old chum Jimmy Gilliland and some other pickers known to Hank, performing under the moniker of the Brazos Valley Boys. Although the arrangements and instrumentation were very basic and his delivery more sincere than accomplished, the single revealed that the kernel of Thompson's musical persona was already established. Both songs were of Navy vintage, but it was clear that Hank the Hired Hand had grown up while away and was now privy to the vagaries of women and romance.
But these songs also showed what was to be his greatest asset--an implicit friendliness that allowed you to go along with a song, no matter how silly, sad, or sexy. Face it: In the hands of, say, The Artist Formerly Known as Prince, "Swing Wide Your Gate of Love" would come across as raunchy carnality; in Thompson's hands--especially the rough Globe version--the song is a request for the most innocent kind of entry. "Whoa Sailor" was inspired by Hank's experiences dating while in the Navy and established another Thompson trademark--an affinity for clever wordplay and narrative turnarounds. Both tunes have an almost sing-songy bounce that would find its best expression a little more than a year later with "Humpty Dumpty Heart," one of his best-known songs, and continued throughout Hank's career in the form of what he called his "nursery rhyme songs," some more obvious than others: "Mary Had a Little Lamb (His Love was Pure as Snow)" (1948), "Rub-A-Dub-Dub" (1953), and "Simple Simon" (1955).
"I always wrote with sort of a subtlety of humor," Thompson says. "If you take it a little lighter-hearted, it lifts it out of the straight tear-jerker."
Released in September of 1946, "Swing Wide" took off regionally. KRLD in Dallas played both sides on its Hillbilly Hit Parade; both were enormously popular in the area. When Tex Ritter came to Texas in 1947, Capitol Records had told him to keep an eye peeled for new talent. Thompson was signed to Capitol soon afterward.