Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
Exposing a construction-site scam only a San Francisco cop could love.
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
Curt puts a flame to an American Spirit cigarette and bends forward to rub his temples. He exhales blue smoke through his knees, then looks up and leans back.
"The other anomaly here is, I always thought the Meat Puppets were a relatively stable band. Cris and I would sit back and watch our friends in the Butthole Surfers or the Chili Peppers or Nirvana or whoever dealing with serious drug problems in the band, and we'd go, 'Wow, through the grace of God, we're doin' all right. We're 12, 13, 14 years old as a band, and we're doing better and better, and none of us are junkies.' We were congratulating ourselves on negotiating the minefield when Cris went boom."
Michelle and Cris were married in February 1995; Curt wasn't invited. Michelle began introducing herself as "Mrs. Meat Puppet." The couple became known for throwing intense, all-night parties, where Michelle would make the rounds in her lamb's-wool jacket, pushing pills on people.
After Cris returned from the Stone Temple Pilots tour with a significant cocaine and heroin habit, the couple became increasingly reclusive. "They fed on one another," says Curt.
During early 1995 recording sessions for No Joke, Cris was a mess. Butthole Surfers guitarist and band friend Paul Leary, who produced Too High to Die, was back at the console for the follow-up. Curt says he and Cris were fighting like pit bulls over Cris' drugging, his marriage, "basically his whole fuckin' deal."
"At first, Paul was like, 'This is some brother bullshit you need to put in a drawer until we finish this record.' Then after a few days, he came up to me like, 'You know, I think Cris might have a drug problem.' Meanwhile, Cris is nodding out with his bass in his hands, and I'm like, 'You think so?'"
Where do bad folks go when they die?
They don't go to heaven where the angels fly
They go to the lake of fire and fry
Don't see 'em again, till the Fourth of July.
--From "Lake of Fire," Meat Puppets II
Early in the afternoon of Wednesday, August 12, Curt Kirkwood's phone rang in Austin. It was his manager, Tammy Blevins, of Austin-based Blevins Entertainment. She told him Cris had just called, hysterical, saying he thought Michelle was dead. Blevins had told Cris to check for a pulse. Cris put down the phone, and Blevins could hear him yelling Michelle's name. He came back on, crying, and said his wife was clearly dead.
"I can't handle this," he told her. "I can't take this."
Blevins told Cris to hang up and call the police, but he refused. He told her he couldn't live without Michelle. Afraid he was about to kill himself, Blevins broke the connection and dialed the Tempe Police Department, then called Curt.
A police dispatcher immediately called Michelle and Cris' house. Cris answered.
"Yeah," he said.
"Hi, is this Cris?"
"Yeah."
"This is Tricia with Tempe police. Is something going on there?"
"Oh, hang on just a second. I'll be right back with you."
Cris never came back on the line. The dispatcher sent two patrol officers to the scene. They arrived, and, when no one responded to repeated knocks, they entered the home through the back door, which was open.
Not five minutes had passed since the dispatcher had talked to Cris, but he was gone. A burst from the officers' police radios alerted them that Cris had two warrants out for his arrest. Otherwise, the house was quiet.
The officers began a room-by-room search.
"The entire house was quite dirty/cluttered, and there were large piles of clothing, miscellaneous personal belongings, and housewares stacked in each room," one of them wrote in his report. "When we came to the first of two bathrooms, the light was on, and I noticed what appeared to be dark-colored excrement smeared on the side of both the bathtub and toilet, and on the bathroom floor.
"Throughout the house, I noticed what appeared to be circular blood-spatter patterns on the walls and ceiling. The circular patterns resembled what appeared to be the contents of a syringe being squirted against the walls and ceiling."
The house was littered with used syringes--113 total--and other drug debris: bent, burnt spoons; glass pipes; and "cupcake-type...wrappers," lightly dusted with cocaine residue.
Michelle's body was in the master bedroom. She was lying across the foot of the bed, clothed only in a white T-shirt. A blue elastic hair band was tightly wrapped around her left arm, just below the elbow. Inches from her left hand were a small baggie with cocaine residue, a syringe, a lighter, and a piece of cotton in a burnt spoon.
"The body was very thin and emaciated, almost having a skeletal appearance," one officer noted. "The pelvic bones protruded grossly from the hip area." The fingers on both Michelle's hands were thin and shriveled. The officers recorded needle marks and sores on her neck, both arms, and both legs. Her eyes were open and glassy. She had been dead for several hours.
The county medical examiner ruled Michelle's death an accident, because of complications of chronic intravenous drug abuse combined with an overdose of morphine and cocaine. The autopsy found that Michelle was suffering from an infected pulmonary valve, acute bronchopneumonia, and severe malnutrition at the time of her death. She weighed 88 pounds.