By Anna Merlan
By Lee Escobedo
By Alice Laussade
By Scott Reitz
By Claire Lawton
By Kiernan Maletsky
By Anna Merlan
When it comes to issues of tabloid snoops and superstar nudity, the movie suddenly takes an all too serious tone, one befitting its female star's attempt to poke fun without, you know, making fun or having fun. At one point, the tabloids get a hold of nude pictures Anna sat for early in her career. Even worse, Anna complains to William, someone filmed the photo shoot so that it now looks as though she made a porn film. Pardon? Exactly what kind of a photo shoot was this? Inquiring minds want to know--well, every inquiring mind except William, who seems utterly oblivious to the whole star thing, the good, the bad, and the ugly side of fame (and the irony blows straight out the window). Never mind that during the first part of the film, the jokes stem from his close-knit set of friends "discovering" that he's dating a celebrity. Hey, William simply likes Anna for who she is. OK. Fine. But the question forever remains: Why?
The big romance here isn't between William and Anna; they're almost unnecessary, pretty people in a pretty movie about pretty much nothing. Rather, the love affair's between Hollywood and itself: Notting Hill offers another example of moviemakers consoling themselves about how tough it is to be famous while congratulating themselves on how down-to-earth they really are. The audience ends up acting just like William's friends, wanting the two star-crossed lovers to get together, but only because that's the way the fairy tale goes.
Directed by Roger Mitchell. Written by Richard Curtis. Starring Julia Roberts, Hugh Grant, Hugh Bonneville, Emma Chambers, James Dreyfus, and Rhys Ifans. Opens Friday.
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