By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
By Anna Merlan
By Lee Escobedo
By Alice Laussade
By Scott Reitz
Nothing ever dies on the Internet. Last week, drummer Mark Holland of the North Carolina band Jennyanykind--which released its fourth album, Big John's, late last year--was searching for any references to his band on the Web, when he stumbled across the following: "30 years later, there still exists no band like The Band, not even young acolytes such as Jennyanykind, mimics without meaning." That was from a February 4, 1999, Dallas Observer story titled "The great divide," which was about The Band's drummer Levon Helm and his revered group's impact on modern rock and roll--and lack thereof.
Holland's brother and bandmate Michael (the band's singer and guitarist) took enough umbrage at the remark to send an e-mail this way. What follows is the collected correspondence, included here because it reveals the sometimes deep and always unnecessary gulf that exists between performers and critics, the deep-felt reasons (talented) musicians do what they do, and how this stuff gets talked about when there's no tape recorder involved. Holland graciously allowed for his missives, which were originally not meant for publication, to be reprinted.
You don't know anything about my music. I have never been an acolyte for anybody. You may or may not like my music, but let me just tell you one thing, and I hope you remember it...I hate The Band. They are the most overrated bunch ever, and you are either very naive, or uninformed. Please e-mail me your address so I can send you more of Jennyanykind music. I think you will find it is much more than mimic without meaning.
I certainly understand your taking umbrage with the comment that Jennyanykind is "mimics without meaning"--that was indeed a bit hyperbolic, a point made with a railroad spike instead of a thumbtack. But I do find your comment about hating The Band a bit disingenuous: I mean, you have heard "The Heat, The Hot, And The Hard Luck Swill" [off Big John's], right? Sorry you think me to be naive or misinformed--maybe my ears are just a bit out of tune.
Maybe you're just angry because you've received this sort of criticism (or praise--you be the judge) for so long. To wit:
"To get an idea of the mood and sound, picture The Band wearing their Amish outfits and Quaker hats, imagine the Violent Femmes' first album played on electric instruments, or consider the way Lou Reed whispered the words to 'Jesus' on the really quiet, black Velvet Underground album."
--CMJ New Music Report, reviewing Revelater, Jennyanykind's 1996 Elektra Records debut...and finale
Or: "Waltz-like, 3/4 time rhythms show up often and "Day of the Dead" has a calypso feel. "Cross Of Jesus" sounds like a traditional hymn being performed in a barroom, much like The Band might sound if they were the same age."
--Music Monitor, from a Jennyanykind feature (you were interviewed).
--The Bob, which apparently has never heard of The Band.
That took a six-minute Internet search, by the way, begun immediately after receiving your e-mail. But I don't trust rock critics either. I firmly believe that every band is a true original whose sound came from out of thin air. Comparisons--ah, they're meaningless.
I'm apologizing for so callously dismissing your body of work in one sentence; had the story been about Jennyanykind, perhaps I would have been more careful with my choice of words...perhaps, "mimics with meaning" (who, according to two other magazines, also sound like Randy Newman, while four out of five dentists also pick the Flaming Lips as a point of reference.) Believe it or not, I do in fact like Revelater and Mythic  quite a bit, though I must admit it has been years since I've heard 1994's Etc. (and Revelater, actually, since I long ago loaned out the disc and have yet to see its return--which is the mark of a truly great work).
So feel free to send me some music; it's either that, or I spend the rest of my summer listening to Ricky Martin, Ben Folds Five, Britney Spears, and porn soundtracks. You, sir, are a true original. What the fuck do I know.
Your humble servant,
That is a good point, and well taken. I guess as a musician I look for the latent meanings, not for the immediate and obvious. How wrong I've been all along! I mean, I'm not really having to write for public consumption, and I certainly don't have to worry about an editor cutting my work to shreds.
I would argue that there have been many, many gifted writers and musicians in modern music history, all touching upon the same idea--many unheralded. What peeves me about critics and especially what you have written is the notion that it is all so linear and derived from a few sources. Do you really believe that, or are you subscribing to an agenda? Could you say Jesus was an acolyte of Buddha?
Music is not created but pulled out of the air from the rhythms of life, and the way you presented it in such a narrow, stylized point of view, as if Jennyanykind had listened to The Band and made a conscious effort to do the same thing, seemed well, uninformed. That is very far from the truth.
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