By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
By Anna Merlan
By Lee Escobedo
Hooray! Finally, a local newspaper with enough gumption to call Al Lipscomb exactly what he is -- a corrupt public official ("The plantation burns," January 20). What is so discouraging about the whole stinking mess is that so many black leaders in this community failed to admit the same thing. Whatever their reasons for failing to do so, they illustrate the core problem of winking at dishonesty among their own just because that person may have had a positive influence on their cause at one time; or even worse, because he is one of their own.
I expect as much out of John Wiley Price. I don't expect it out of a Christian pastor. Does the good Rev. Zan Holmes really believe that on Judgment Day, he can stand before the Lord and make the same excuses and expect God to wink at them? Give me a break!
It also does not take a genius to figure out why Judge Joe Kendall moved the case out of Dallas. He knew the state would not get a fair trial in a town where O.J. Simpson would not only be acquitted, but would have had some locals want to pin a medal on him and make excuses for him.
By the way, unlike many of the authors of letters to the editors at the Dallas Observer, I am willing to sign my correspondence. It seems it's usually the most foul-mouthed writers who refuse to give their names.
Michael S. Mullen
Congratulations! Again, you've successfully made anybody with the slightest bit of creative instinct and/or interest feel like they're in the wrong place (if they're here in Dallas). In Zac Crain's article "Calla the doctor" (January 27), the writer seems to be giving praise to the musicians' choice to leave Dallas, rather than play "glorified rehearsals" or "staring out into the crowd from the stage and seeing [just] a cement floor staring back at you." Is that what Dallas is all about? Well, if it's not yet, then it soon will be. Honestly, I don't think it is (yet).
There are a number of very talented artists and musicians here in Big D. You mention them and focus on them weekly in your publication, and that's why I continue to pick up your rag now and again from the newsstand. These people are my friends, neighbors, and peers, and I like to read about them. But I truly think that your magazine is worth exactly what it costs, and if it cost one penny more, I'd never touch it again.
So, for now, I'll go on, as do so many others, reading the Dallas Observer, and then setting it down and feeling disgraced to be involved with the Dallas music-art scene. Why can't you highlight the good things that are going on here? Why is it so hard to write about the positive things here in Dallas, rather than publishing full-page articles expressing the fact that in order to succeed, creative people need to move out of Texas? It's really a shame.
I help run a rather successful art gallery/shop in Exposition Park, and your politically motivated staff of writers and criticizers has played a pretty major role in helping us make the decision to relocate to Los Angeles in August. Thanks for helping us realize our true ambition.
It's your negativity, Dallas Observer, that's helping to drastically advance the decline of our city's Deep Ellum area. It's your negativity that is turning Deep Ellum into an anticultural cesspool of pool halls, tattoo parlors, and cover bands, which caters to that type of people out there who are simply looking to get drunk on their Friday and Saturday nights, rather than searching for creative, entertaining environments, or maybe a little inspiration. That's cool, though, I guess. It's written by the people, for the people. What do you do with your weekends?
I wanted to take a minute to respond to your magazine's review of George Clidienst's book, The Protégé (Buzz, January 27). I'm quite certain you will not print this letter, since the Observer seems to like only negative, nasty editorials. Obviously the idiot who reviewed it was not in any way, shape, or form qualified to critique anything other than a gum wrapper. I'm not sure what his problem is, but I read this book several months ago and loved it. The reviewer did not even read The Protégé (which has received glorious reviews from "real" papers) and obviously is a bitter, jealous, sexually repressed troll of a man who has nothing nice to say about anyone.
What kind of drugs was your reviewer taking when he did a review on the new novel by George Clidienst (The Protégé)!!?? It is painfully obvious that the man who did the review did not read the book and therefore had no right to trash it. I do not know Mr. Clidienst, but I hope he has the good sense to ignore every stupid comment made about his book. The Protégé was referred to me by a friend, and all of us in my office had read it and enjoyed it -- we are awaiting Mr. Clidienst's next book and think your review was unfair and obviously written by someone who does not read.