By Anna Merlan
By Lee Escobedo
By Alice Laussade
By Scott Reitz
By Claire Lawton
By Kiernan Maletsky
By Anna Merlan
It also proves that there's nothing people won't pay to see. Ergo, the success of Troma Films and Squeeze Play auteur, writer-director-producer-actor Lloyd Kaufman, who co-founded the, ah, studio. For 25 years, Kaufman and the Troma team have been putting out true independent film -- not independent-with-a-capital-I independent film, but independent film with a capital T&A. And a lot of gore. And a lot of would-be big-time talent working for art's sake, mostly because there is no budget. Not only has Kaufman's Troma Studios given the world such classics as Class of Nuke 'Em High, Surf Nazis Must Die!, and The Toxic Avenger series, but it's helped pull into focus the skills of such Hollywood heavyweights as Oscar winner Kevin Costner (as a bland everyman in Sizzle Beach, USA and Shadows Run Black), Oscar winner Billy Bob Thornton (as a dimwit homicidal yokel in Chopper Chicks in Zombietown), Oscar winner Marisa Tomei (as a modestly talented actress catching an insanely lucky break in Toxic Avenger), Oscar nominee Samuel L. Jackson (as a bad-ass on a mission from God in Def by Temptation), and South Park's Oscar nominee Trey Parker (as a gifted songwriter in Cannibal: The Musical).
But none of Kaufman's previous visionary efforts in producing, distributing, writing, directing, or acting -- not even the sociopolitical tour de force Sgt. Kabukiman N.Y.P.D., a heartwarming tale about a crime-fighter infused with the spirit and makeup of a murdered Japanese Kabuki actor and empowered with supernatural chopsticks -- can prepare audiences for Terror Firmer. Based on Kaufman's autobiography-cum-guide to low-budget moviemaking All I Need to Know About Filmmaking I Learned From The Toxic Avenger -- that is, based on it in the same way, say, Deep Throat was based on Mein Kampf -- Terror Firmer is the pièce de résistance of the Troma canon. The movie is a blender full of all the juicy nuggets that define Troma films: monsters, mayhem, syrupy bloodletting and gooey head-squishing, transgender mutilations, loads of bad acting by complete freaks, and even more pointless nudity by attractive and unattractive people alike. And there's vomiting, lots of vomiting. And not just because Ron "The Hedgehog" Jeremy cameos.
Exclusively at the Inwood Theatre's midnight movie February 25-26. Kaufman will attend Friday night's screening.
Written by Kaufman, Douglas Buck, and Patrick Cassidy
If you're looking for a plot synopsis, you obviously don't yet fully realize the beauty of Troma films. But for the record, it's the heart-warming tale of a Troma film shoot terrorized by a homicidal transvestite. Lloyd Kaufman stars as blind B-movie director Larry Benjamin, a thinly disguised version of himself. Will Keenan -- most famous for starring as Tromeo in Kaufman's trendsetting Shakespearean update for the nipple-pierced youth market, Tromeo & Juliet -- plays Casey, the soundman with the pickle fetish. Aspiring young actress Alyce LaTourelle is Jennifer, the aspiring young actress on whom Casey uses the pickle. Think of it as Truffaut's Day for Night meets Troma's Beverly D'Angelo vehicle, Pterodactyl Woman From Beverly Hills.
As in Scream 3, the always inventive behind-the-scenes-of-a-movie premise gives the moviemakers and the fans plenty of opportunities to share inside jokes that will leave the rest of the audience thinking it is just a really bad movie. But even those who aren't Troma scholars will embrace the strong sociopolitical messages found in the "De-fetusing the Pregnant Woman" scene and the "Chop off the Ventriloquist's Hand and Stretch His Dick Like Taffy" episode. But these moments are nothing compared with Terror Firmer's denouement, a heartfelt public-service announcement geared toward raising consciousness about society's bias toward hermaphrodites, featuring South Park's Trey Parker and Matt Stone and narrated by Motörhead's Lemmy. If this doesn't prove Troma inspires would-be filmmakers, nothing will.
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