By Lauren Drewes Daniels
By Alice Laussade
By City of Ate
By Scott Reitz
By Lauren Drewes Daniels
By Alice Laussade
Everywhere else fit and finished seemed paramount. Clay-pot-baked sea bass ($19) with nopales (cactus leaves), tomatoes, capers, olives, and laurel rice pilaf sounds cluttered. And it is. Parked on an aromatic hoja santa leaf (an anise-scented herb), the sweet, firm fish merged seamlessly with the surging brininess of green olives and capers, sparking the puddle of fish juices pooled in the bottom of the pot. Of the almost uncountable sea-bass renditions surfacing on menus, this cluttered pot fish was particularly noteworthy, not to mention damn good.
Then there's the braised salmon ($19), another fish parked in a clay pot. This fish is seared, drubbed with a thick brushing of mole verde, and braised. The meat, again placed on a hoja santa leaf, was fluffy, flaky, succulent, and suffused with a gentle earthen flavor. Not so for the side of masa dumplings, which were dry, doughy, and pasty.
Still, this fish in a pot falls right in line with what Greene trumpets as her goal with this restaurant. "What I'm trying to do with Mexican food is to give it the credit it deserves, to put it, for once and for all, at a level where it is appreciated," she insists. "We needed to make sure people didn't find an excuse to bring down our food."
5-10 p.m. Friday & Saturday
Excuses would be hard to find here, even if you scoured the dark, slightly bordelloish cigar bar with overstuffed leather chairs and sofas and red window treatments equipped with tassels.
Actually, the space hasn't changed all that much from when it was Zeitgeist Café. The whitewashed wood treatments on the door frames and windows remain. The same patio furniture is there, as are the floors.
But it feels completely different: harmony dressed in cozy little flirts with decadence. Glass elements, little bowls with corkscrew tails, repeat color variations from the chandelier in the entryway. Single blue lighting units dangle over the bar, and a gangly lighting unit near the bar looks like a Martha Stewart interpretation of a food-borne virus -- if Martha Stewart were any fun, that is.
The menu, a concise sheet, is delivered in a heavy copper slipcover. Maybe it doubles as a server swatter if the service slips, which it never does, but it's nice to keep those ancillary uses in mind.
While you won't be rewarded with a basket of chips and salsa when you sit down unless you request them, Ciudad does serve a number of items that Dallas diners will be comfortable with. Chicken tacos ($5), delicious little things, are served with a two-ply layer of corn tortilla disks: one blond, one ruddy from chili powder. A tangle of shredded chicken, sparked with marjoram, achiote, garlic, and pickled onion, was gently spread over the tortillas and topped with cheese.
Pescado tacos ($6) came up short by comparison. Fried pillows stuffed with white fish and salsa cascabel (a dried blood-red chili pepper), these pockets were gummy and ripe with a strong fishy taste -- unfortunately, the only flavor that grabbed the palate.
As the armor-plated menus attest, presentation is important here. A trio of long duck flautas ($8) were fried to a coffee hue, bundled and tied with a strand of corn husk. Crisp, with a slightly bitter taste that was blunted a bit by the moist, slightly sweet interior, the only drawback was that these flautas were slightly greasy.
You perhaps wouldn't expect to slurp chunky chicken-vegetable soup ($6) in a Mexican restaurant. But Ciudad's version was as hearty as it was clean and busting the bowl with subtle flavor. Generous pieces of carrot, Mexican squash, potato, leeks, garbanzo beans, and wedges of avocado crowned with cheese and strips of tortilla made for a soup that was simultaneously clean, clear, and cluttered.
Perhaps the best thing on the menu was pork. Not a greasy, cheesy, bean-pummeled thing, but pork tenderloin ($17) wrapped in a banana leaf and then seared and roasted. The meat was sweaty and smooth. And it was potently flavored, no doubt from the achiote paste and that splash of bitter orange juice. The sauce was good too, formulated from pork drippings, the orange juice, and a little mole to pump up the favor.
Lamb chops ($23) were two pairs of chops interlaced in a clash of bone, flesh, and flavor, though the cumin they were purportedly crusted in was evident in only the subtlest of tones. The accompanying batch of fennel salsa, sweetened with roasted fennel nodes freshened with a toss of pico de gallo, proved as brisk as it was satisfying. Then there's a thing called cotija ancho masa tossed onto the plate: a cake of pureed hominy sauced with ancho chili. It was moist, firm, and musky -- sexily nurturing.
Which is what Ciudad is, really. It bristles with an edgy sensuality that threatens to throw you just before it nuzzles in and soothes you. Whatever Greene set out to do with her dream of lavishing authentic Mexican food with "the credit it deserves."