By Lauren Drewes Daniels
By Alice Laussade
By City of Ate
By Scott Reitz
By Lauren Drewes Daniels
By Alice Laussade
A piece inserted into the trifold menu at The Prison in McKinney says that the circa-1880, three-story building was designed by architect F.E. Ruffini, crafter of numerous late 19th century public buildings in Texas. The blurb describes the Collin County prison as a "high Victorian Italianate structure with bracketed cornices and arched windows." It is attractive, in a God-don't-you-wish-we-had-old-townhouses-like-that-in-Dallas sort of way. One thing you can say is that Ruffini sure knew how to design slammers, especially compared with today's prisons, which resemble huge air conditioning units ringed by razor wire (although the Lew Sterrett jail more resembles a garbage disposal with the same metallic landscaping).
115 S. Kentucky
McKinney, TX 75069
Region: Allen/ McKinney
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Fried Green Tomatoes: $6.95
Iceberg Lettuce Slab: $5.95
Molasses-glazed Pork Chop: $16.95
Herb-roasted Half Chicken: $13.95
Texas T-Bone: $23.95
Shrimp in White Wine Butter Sauce: $17.95
Prison Pasta: $12.95
So then why do the restaurateurs (McKinney city councilman Steve Bell and his wife, Sandra) crafting this innately attractive prison cum fine dining room maintain two ratty, full-sized figures of the Blues Brothers caught in midstride, running after an apparent jailbreak? Is this a hint that guests should perhaps follow their lead?
Hard to say. But even if you don't eat, this prison--or jail--converted into a restaurant has a history dusted with felonious spice. According to the menu blurb, Frank James, brother of Jesse James, had a stint within these sandstone walls. Murderer Ezelle Steppe was the last man hanged at the prison in 1922, over the space that is The Prison's "hang-out" patio. Inmate Frank Reese, whose photo hangs on the third floor of this restaurant, allegedly ate light bulbs, which doesn't say much for prison cuisine. Raymond Hamilton, a member of the Bonnie and Clyde clique, also did time in the Collin County can in 1932, a few years before the place was renovated with dough from the Public Works Administration. Hamilton escaped after less than a month of indulging in its "high Victorian Italianate," and maybe even its light bulbs.
There were a few times that I wanted to escape the place too. Fried green tomatoes were found under the heading "arresting appetizers." Five golden fried tomatoes lay on a bed of weeds next to a ramekin of roasted red-pepper garlic aïoli with a keen wisp of smoky, almost bacon-like flavor. The tomatoes were little more than sponge-mush Frisbees. One bite, and the interior leaked out as the fry casing disintegrated in my hand. On the second visit, the fried green tomatoes were far better: firm and crisp with structural integrity, though the green tomato slices had more blandness than bona fide flavor.
A salad dubbed the "slab" with "chain gang red onions and chives" was mediocre. The expectation here, at least the one cultivated by visits to Dallas steakhouses, is that of an elegantly tight wedge of iceberg lettuce oozing with milky dressing and trimmed with an array of tomato and onion. What arrived (with a choice of ranch or blue cheese dressing) was a loose and separating lettuce-head sheaf planted with cherry-tomato halves, rings of red onion, and long, uncut chives.
But the presentation was only a small problem because the ingredients tasted fine, we think. It's hard to tell because my companion and I were cautiously mulling The Prison martini, served in a huge glass, which could have damaged our taste buds. The beverage was ordered "dirty"--loaded with olive juice--but it arrived more polluted than soiled, necessitating a recall. Prison hands also do funny things with their olives. Ours were impaled with a swizzle straw instead of a cocktail pick, which might have been useful for picking cuff locks. Prison-issue frozen margaritas were a bit better, although the slush lacked consistency and projected an alarming shade of fluorescent green.
The Prison does have a decent wine list, although the whites are a little overburdened with chardonnays, and the reds bleed a little too much cab and merlot.
Yet, this is a prison, don't forget--and they won't let you. The entrance is secured with steel doors with revolvers as handles. The huge bar on the ground floor is encased with metal, like some sort of Dean Martin-fantasy confinement chamber. Small dining areas flank each of the first two floors, and ascension to the upper reaches of The Prison is accomplished via an old staircase with lumpy steps and a smooth white banister. Rooms and walls harbor a plethora of pictures, gimcracks, gadgets, and other penitentiary trifles such as rifles, pistols, brands, metal stars, and key rings.
But it's on the third floor where The Prison met our expectations. Each side holds an array of upholstered booths cordoned within metal webbing--little prison cells within which to nosh. Think how fortunate for us the refurbishers didn't overkill this novelty and convert the shower room into a dining area with soap bars on the floor.
And soap is exactly what the sautéed jumbo shrimp in white-wine butter sauce tasted like. The shrimp were fibrous, a little mushy, and soapy. The sauce attacked the mouth more like a slice of lemon than a sip of white wine.
Prison pasta looked as though it had been through a prison riot. Tossed with fresh vegetables and chicken, the rigatoni tubes were overcooked, fraying, and splitting down the middle. The Alfredo sauce was gritty coating for an uneventful pasta mélange of vegetables (zucchini, yellow squash, and broccoli) that littered the tattered tubes.
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