By Jeremy Hallock
By James Khubiar
By Observer Staff
By Kelly Dearmore
By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
If you happen to be in the New Orleans area on December 20--and if you ask us, once you've set foot into Louisiana, well, you've made a big mistake--you can check out a performance by KDGE-FM favorites Dollybraid, performing at a CD release party at the Parkway Tavern for the Band to Band 2000 compilation disc. Dollybraid will be joining two other regional winners from the Lucky Strike-sponsored contest, Houston's Fondue Monks (dammit--we were going to name our band that) and New Orleans' own King Konga. If you recall, and we barely do at this point, Dollybraid bested Pinkston and the Deathray Davies on November 3 at the Hard Rock Café to take home top honors for the Dallas-Fort Worth area and a few thousand dollars. We're kinda fuzzy on the rules, but as far as we can tell, each disc has a voting card in it that allows interested parties to vote for their favorite song on the compilation, which features songs from each of the 15 regional winners. Grand prize: $15,000. No word on if the disc will also come with a voting card that allows you to choose which band has the stupidest name. Now, that would be a close call...
This just in: Last week we mentioned The Foxymorons will release their second disc, Rodeo City, on American Pop Project on January 23, but we failed to add that the band is also recording an album of lo-fi cover songs, which it will release for free at some point. The first cover is already online at the band's Web site, www.foxymorons.com: The group's take on Christina Aguilera's "Come On Over Baby." Wish we could tell you what it sounds like, but our computer is having a problem doing computer-type stuff, so we can't. Maybe the fellas will play it during one of their trio of upcoming shows--December 27 at Trees (free tix available at The Foxymorons' site), December 28 at the Aardvark, and an acoustic gig December 29 at Borders Books and Music in Fort Worth. Although, truth be told, we'd rather hear one of their originals than anything by Aguilera, who is slowly but surely bringing blue eye shadow back to its whore-of-the-trailer-park roots. (Good on ya, Chrissy!) Is it us or does she always sound like she's trying for that extra quarter-star on Star Search? No, you're right; it's not just us...
We forgot to mention it a few weeks ago, but Drowning Pool has signed with Wind-Up Records, better known as either the label that brought you Creed, or as the label that didn't really want to bring you Baboon but went through the motions briefly. The deal came together at this year's installment of the North Texas New Music Festival, making us eat our words after we went on record yet again saying that no bands ever get signed as a result of the yearly meet-and-greet. We'd say we meant "good bands," but that would most likely result in a decisive beatdown by the band or its fans, so we won't. Honestly, congratulations, fellas. If nothing else, maybe they can give Creed a scare in the Wind-Up cafeteria. Drowning Pool is already getting its name out to the nu-metal crowd: The band just got off the road with Kittie, and played a couple of shows recently with hed (pe). Word is, they're working on scheduling another tour with bands with lame names before recording their debut for Wind-Up, to be produced by Jay Baumgardner, of Papa Roach fame. Seriously, hed (pe)? Please...
Sara Radle, better known as the singer-guitarist for Lucy Loves Schroeder, released her first solo disc--under the group name Fred Savage Fanclub--on December 19, courtesy of Denton-based She's Gone Records. The disc, titled Jelly Beans with Belly Buttons, is said to be poppier than Radle's work with LLS, more along the lines of That Dog than, say, The Muffs. Meaning: More singing, less power chords. But hey, we haven't heard it yet, so we're just guessing. And if you completely understood that somewhat subtle distinction, you could be a music writer for the Dallas Observer...