By Jeremy Hallock
By James Khubiar
By Observer Staff
By Kelly Dearmore
By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
Well, yes and no. The details are still a bit sketchy, but this much is true: Trees will indeed be closing on February 1, but only for a month or so, while the club undergoes yet another face-lift. (You may remember the last one, which resulted in, among other things, a larger stage area.) "We are going to give a full go at bringing all aspects of the club into the 21st century," Brandt Wood says. "What does that mean? More good music, actual user friendliness--I know that is crazy--researching what is going on in other markets, etc."
According to the press release The Entertainment Collaborative sent out on January 19, in the release's own language so as not to start any more rumors, "Improvements will include a significant exterior and interior update that features artwork and artifacts that pay tribute to Trees history. In addition to physical improvements, the newly reopened venue will expand its hours, nights of operation and, most importantly, its calendar. Early 20th century music history is entrenched in Deep Ellum where Trees is located, and Trees, which represents the cutting edge of modern music, will continue to make history by bringing the best music--from local all the way to international--to Dallas first."
So there you have it. But what, exactly, does all of that mean? For starters, don't be surprised if Trees does in fact turn into a dance club, at least on off-nights. For the time being, since Kris McLauchlan and his assistant Michelle Basileo handle most of the booking at Trees and Gypsy Tea Room, it doesn't take too much extrapolation to figure that most of the shows that would have happened at Trees during the shutdown will be moved to Gypsy Tea Room. No word on when the shutdown will happen, though the club should be up and running with its new look sometime before March 21, when Trees welcomes former Pavement frontman Stephen Malkmus and his new combo, The Jicks.
The point? Don't trust a single word coming out of Deep Ellum until you can confirm it with your own eyes and ears...
Ghostcar will open for Low (see "Bad Reputation," page 91 on all four dates of the Duluth, Minnesota-based trio's swing through Texas, beginning in Houston on January 23, and wrapping up with a show at Rubber Gloves Rehearsal Studios in Denton on January 27. If you happen to attend one of those shows, you can pick up a copy of Ghostcar's first disc, a home recording titled Ghostcar: The Radio Entro For Bionic Ears. The disc features Daniel Huffman, Karl Poetschke, and Cole Wheeler, as well as Jessica Bailiff, who also records under her own name (with the occasional helping hand from Huffman) for Chicago's Kranky Records. Huffman, late of Comet and Sivad, is the common bond between pretty much everything we've mentioned so far; he also turns up on Low's forthcoming Things We Lost in the Fire, set to be released in February on--wait for it--Kranky Records. Lovely...
Since we talk about Centro-matic so often you'd assume they're either kin and/or paying us, you might not have noticed the fact that the band doesn't actually play in Dallas that often, only a handful of times a year. The group will make one of those rare appearances on February 1 at the Gypsy Tea Room, with Lewis, and band manager Bob Andrews promises, should you show up, you will get your money's worth. "Bring a sack lunch," Andrews says. "It's gonna be a long set." Not like we're complaining. Later in the month, Centro-matic will hit the road for a quartet of shows with The Promise Ring, a week or so prior to the release of the Centro-matic/Vermont split CDEP, Vermont + Centro-matic = Opportunity, on Quality Park Records. Vermont is the side project of Promise Ring frontman Davey von Bohlen and drummer Dan Didier. The split should hit stores on February 27, the same day Quality Park will put out Legendary Crystal Chandelier's Beyond Indifference. LCC's Peter Schmidt says the band will celebrate the disc's release with a shindig on February 24, most likely at the Curtain Club (which just celebrated three years in bidness) or Liquid Lounge. Which shouldn't affect anyone's plans, since they are, after all, in the same building. No opening act has been announced, but hey, as long as LCC is playing, and you have a chance to pick up Beyond Indifference a few days early, it shouldn't matter who else is playing. Well, unless it's someone good. Ah, just go...