As important as Martin Sherman's Bent is to the world stage canon--it was one of the first major works in any field to acknowledge the Third Reich's persecution of gay men--the play hasn't aged terribly well. It's didactic, melodramatic and sensationalistic--or can be, in careless hands. John Templin and Jeff Sprague, co-founders of Fort Worth's Sage & Silo Theatre, didn't attempt to liberate Bent from any of its excesses. Indeed, they added a new one worthy of Max Bialystock and Leo Bloom--Chris Steele, Dallas-based star of international hits like Uncle Jack and Steele Pole. Steele spent a good 10 minutes strolling the stage buck naked before his throat was cut by an SS officer. He wasn't bad, although it's difficult to judge objectively: He had more tan lines than stage lines.