Most Popular

  • Swingtown
    Local swingers think life is a bowl of cherries, but Duncanville wants to spit out the Pit
  • Deep Ellum LIVES!
    Scott Beck's about to buy 14 acres in the"heart" of Deep Ellum. What then?
  • Un-Super Size Me: One Week of Eating Local
    One man’s attempt at slow food living in the Dallas metroplex
  • Toll You So
    The Trinity River Project should be floating right along. Instead it's sinking under the weight of its own folly.
  • Six Pac
    The Cowboys are counting on NFL outlaw Pacman Jones to pop the top on their sixth Super Bowl.

Recent Articles

Recent Articles by David Ehrenstein

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Oh, Cho!

This Notorious concert film is the one that you want

By David Ehrenstein

Published on September 12, 2002

Taking up more or less from where her last concert film I'm the One That I Want (2000) left off, Margaret Cho continues her exploration of the outer limits of raunch with considerable brio. Like every female stand-up since the dawn of time, Cho's humor is derived from this disparity between what the culture expects of her and what she's actually capable of doing. But unlike her comedy predecessors, Cho declines to make herself the butt of her jokes. Rather she highlights the culture's failings to deal with women of size, color and sass. Filmed by director Lorene Machado on direct video, it's a visually primitive affair. But you're not likely to care, given the chance to witness Cho's often incisive, but never hectoring, take on life as she's lived and observed it. In an especially telling bit she lists all those who--like her--are considered to be society's "minority." Cho knows no one needs any further prompting to realize that "minorities" are in fact the majority of the population.


Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com