Most Popular
-
Swingtown
Local swingers think life is a bowl of cherries, but Duncanville wants to spit out the Pit
-
Deep Ellum LIVES!
Scott Beck's about to buy 14 acres in the"heart" of Deep Ellum. What then?
-
Un-Super Size Me: One Week of Eating Local
One mans attempt at slow food living in the Dallas metroplex
-
Toll You So
The Trinity River Project should be floating right along. Instead it's sinking under the weight of its own folly.
-
Six Pac
The Cowboys are counting on NFL outlaw Pacman Jones to pop the top on their sixth Super Bowl.
-
In the Heat of the Knight
Summer '08: Batman saved the season, while a little Sex went a long way and the indies went south
-
Intolerable Cruelty
Remarkably consistent, the Coens make another mockery with Burn After Reading
-
Miracle at Santa Anna
No matter the runtime and budget, Spike Lee's World War II drama is an epic bore
-
Your Friends & Neighbors
Racial tension, above and below the surface, in Neil LaBute's Lakeview Terrace
-
Choke
Palahniuk adaptation needs the Heimlich
Blogs
Mon Oct 13, 5:13 PM
Mon Oct 13, 3:44 PM
Mon Oct 13, 3:00 PM
Mon Oct 13, 1:47 PM
Mon Oct 13, 2:00 PM
Mon Oct 13, 10:40 AM
Recent Articles
Recent Articles by David Ehrenstein
He knows it might not be your Bob Dylan
Km. 0 tries a little tenderness, and it works
Ferzan Ozpetek's latest protagonist is far from an ignorant fairy
Ivans xtc takes a look at Hollywood, and it's pretty bleak
This Notorious concert film is the one that you want
No related articles found
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Oh, Cho!
This Notorious concert film is the one that you want
Published on September 12, 2002
Taking up more or less from where her last concert film I'm the One That I Want (2000) left off, Margaret Cho continues her exploration of the outer limits of raunch with considerable brio. Like every female stand-up since the dawn of time, Cho's humor is derived from this disparity between what the culture expects of her and what she's actually capable of doing. But unlike her comedy predecessors, Cho declines to make herself the butt of her jokes. Rather she highlights the culture's failings to deal with women of size, color and sass. Filmed by director Lorene Machado on direct video, it's a visually primitive affair. But you're not likely to care, given the chance to witness Cho's often incisive, but never hectoring, take on life as she's lived and observed it. In an especially telling bit she lists all those who--like her--are considered to be society's "minority." Cho knows no one needs any further prompting to realize that "minorities" are in fact the majority of the population.