Sour Hereafter

Life after death looks like hell in two surreal new comedies at Undermain and Kitchen Dog Theater

Collectively, giant squid now outweigh the entire human population. Got that from a report in Weekly World News, the most reliable of sources about all such phenomena, particularly breaking stories regarding squid, octopi, nautiluses and the misunderstood cuttlefish. According to the "world-renowned" scientists quoted by Weekly World News, global warming is to blame for the sudden surge in growth among the enormous yet elusive cephalopod known as Architeuthis. This underwater monster responds to a hotter environment by producing giant squid babies who go on feeding frenzies that have them gobbling sperm whales, sharks and the occasional 12-man yacht crew. With huge tentacles and thick arms called "sessiles," slimy behemoths up to 175 feet long envelop their prey and squeeze them to death before sucking their victims into their jaws. Squid foil their own predators by releasing an inky screen and then making their escape to the depths of the ocean.

A working knowledge of nature's largest invertebrate helps to get through A Man's Best Friend, the new show at Undermain Theatre. This is a weird, weird play. It would take oceans of ink, squid-made or otherwise, to describe all of its layers of weirdness. What is it about? About 70 minutes long.

Squid figure heavily in the surreal script by Jeffrey M. Jones, a favorite of Undermain director Katherine Owens. A Man's Best Friend presents six characters in search of a mollusk. The words "squid," "squim," "squid-headed baby" and "squid-head tumor" repeat so often, you wish they'd just clam up about it.

Let's talk about squid: Rhonda Boutte, John Forkner and Suzanne Thomas inhabit an inky mess known as A Man's Best Friend.
Let's talk about squid: Rhonda Boutte, John Forkner and Suzanne Thomas inhabit an inky mess known as A Man's Best Friend.


A Man's Best Friend continues at Undermain Theatre through March 15. Call 214-747-5515.

Heaven continues at Kitchen Dog Theater at the McKinney Avenue Contemporary through March 23. Call 214-953-1055.

Best guess is that Jones uses "squid" as a code word for anything men feel threatened by. He could have substituted "tampon" or "street map" for "squid" and the message would have been about the same. Fixate on the fear of any "squid" too long, the play seems to say, and eventually the obsession will kill you. Squid, white whale, tuna sandwich. Whatever.

If there is a point to be made in A Man's Best Friend, Jones all but obscures it in an inky screen of crude characters and profane-for-no-reason dialogue. Where it tries to be funny, too often Friend is just scatological. This play makes The Osbournes sound like Mother Goose.

There's really not a main character here, but a mean clown named Sluggo (twitchy, whey-faced Tom Lenaghen) comes closest to being the center of attention. Sluggo taunts the audience with questions about his offensive body odor. He offers nasty pronouncements about his sexual prowess. "I'm hung like a horse, lady. Wanna get reamed?" he growls.

Sluggo confesses that he's a bed-wetter and complains about how hard it is to get laid or rent a car wearing whiteface and floppy shoes. "Everybody hates clowns," Sluggo says.

Sluggo's wife, Jane (Liza Marie Gonzalez), discusses at length her unhappy love affairs with several other Sluggos (one of them female). From the ghost of Andy Warhol (Bruce DuBose), Jane takes delivery of a "squid-head baby" whose upper regions resemble a blue rubber kitchen glove. Sluggo beats Jane to death with the tot, saying, "It looks like Daddy is having a real bad day."

Everyone says a lot more stuff about squid. It's a regular carnival of calamari.

Andy Warhol drops in from the afterlife to proclaim it all "boring" (how wise you are, Andy). DuBose doffs his silver Warhol wig to play Sluggo's mother (pretty funny actually), and then he's back as a white-robed, bearded swami who unreels a long, squid-infused monologue that sounds like a bedtime story as told by Charlie Manson.

A cop (Rhonda Boutte) runs on and off the stage, bopping Sluggo on the head with a nightstick as she searches for errant squid. A "good angel" (the supremely annoying Suzanne Thomas) wearing red sneakers and pink wig twirls around like a music-box ballerina. She harasses Sluggo and Sluggo's handsome brother Steve (John Forkner), who lies on a cot, suffering from some sort of engorged, squid-like growth in his nether regions. Toward the end of the play, the angel reaches under the covers and, while murmuring details of the sex life of squid, she energetically massages Steve's, um, tentacles. That's as close to a happy ending as this thing gets.

Funny, for all its references to squid, turns out A Man's Best Friend is a dog.

Over at Kitchen Dog Theater, another grim, surreal vision of life and the afterlife unfolds in Heaven, a two-act comedy by Canadian playwright George F. Walker. Heavenly, it's not. This play is to theatrical entertainment what the trampoline is to transportation. People get on and off and bounce around in almost constant motion, but it never really goes anywhere.

The setting, nicely designed by Craig Siebels, is a dreary urban park furnished with a couple of benches, a street lamp, an old upturned bathtub and a large garbage bin. The action begins with a bad cop named Karl (Gregory Gormley) angrily pointing his gun at the head of a human rights lawyer named Jimmy (Christopher Carlos). Karl's partner has been killed and he blames Jimmy. But Jimmy has his own problems. His wife, Judy (Karen Parrish), is pregnant again and probably in love with her rabbi (James Venhaus, quietly underplaying the role).

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