Most Popular

  • The Hard Lie
    How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • The Dirt Doctor
    How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
  • The Caretaker
    One mother's crusade to better the life of her mentally retarded son and the system that failed him
  • Our 20th Music Awards
    1988-2008: Two Decades of DOMA

Recent Articles

Recent Articles by Robert Wilonsky

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

A Sad Salvation

Continued from page 1

Published on March 20, 2003

It would have been far better had SXSW chosen for its keynote speaker the ubiquitous Jenny Toomey, the unlikely revolutionary whose Washington, D.C.-based nonprofit Freedom of Music Coalition has become the record-buying, radio-listening public's best and loudest voice in the debate over government deregulation of all things media. Toomey, whose bright red hair makes her look like a flaming matchstick held over a short fuse, has spent the last year testifying about the evils of deregulation before Congress and the Federal Communications Commission; her organization has spent hundreds of thousands of dollars on studies that prove the damage done when companies like San Antonio-based Clear Channel, which owns more than 1,200 radio stations nationwide, seize control of the public's airwaves. If rock and roll has a future, it will be Toomey and others like her who extend their hands to keep it from tumbling down the cliff. "But I bring 30 people into a room," she said when told she should have been the keynote speaker, implying she doesn't draw like Lanois. Never has a revolutionary been so modest; then again, this is a revolutionary whose new album is filled with nothing but torch songs, not Molotov cocktails.

Another good keynote candidate would have been Jonathan Adelstein, one of five FCC commissioners and one of two Democrats--and the only man at SXSW who had any real power, who could effect any substantive change. "Give him some love," Toomey had said the previous day of the guy who will try to stop FCC chairman and son-of-Colin Michael Powell from allowing fewer companies, including TV networks and newspapers, to own more media outlets. He was introduced as "a member of the cavalry riding to the rescue," the man who was going to stanch the bleeding that began with the 1996 Telecommunications Act that uncorked the limits on how many radio stations a single company could own. (Before '96, Clear Channel had but 40 outlets; now, multiply that figure by 30.)

As Adelstein reminded, after the act was passed, more than 2,100 of the United States' 11,000 radio stations changed hands "and many were sold to former competitors." Seems the Supreme Court's "uninhibited marketplace of ideas" is destined to become a mini-mall run by a couple of billionaires. No matter how noble Adelstein's intentions--and coming to SXSW to check out bands and solicit opinions from Regular Folk is pretty damned noble--he's still the eunuch in the whorehouse, as one colleague pointed out during the session; Powell will likely get his way.

"The game isn't over in consolidation," Adelstein said, by way of soothing the nerves of the couple dozen SXSW-goers who showed up for his Saturday-afternoon session to ask questions and state their grievances. And, indeed, the FCC is asking for comments from the public about the deregulation issue, which Powell wants decided by June of this year; so far, the commission has received some 15,000. "But 285 million people are affected by it," Adelstein said, and recent studies indicate more than 70 percent of the American public have never even heard of deregulation, which will lead to what Adelstein called the inevitable "loss of voices and viewpoints."

Look only at the fallout from Natalie Maines' remark last week from a London stage, when she said she was "ashamed" to be from the same state as President Bush--a subject of much discussion during SXSW, especially during Friday afternoon's Activism and Protest panel. Immediately, Dixie Chicks songs were pulled from radio stations across the country, first by KJ97 in San Antonio--a Clear Channel station, in that corporation's hometown. On March 12, Maines issued a statement on dixiechicks.com in which she explained that Bush is "ignoring the opinions of many in the U.S." and that her "comments were made in frustration"; two days later, she had backed off entirely. "My remark was disrespectful," she wrote, which didn't stop hundreds from destroying thousands of Chicks CDs in Louisiana on Monday. "I love my country," she added in case anyone doubted her--especially, oh, Clear Channel's CEO and founder Lowry Mays, a good friend of George W. Bush's.

"September 11 set non-president Bush up so well for this," said R.E.M. bassist Mike Mills, who sat alongside Toomey, X's John Doe, Woodstock vestige Wavy Gravy and the MC5's John Sinclair on the activism panel. "To protest has been unseemly, like stomping on the graves of the dead." So instead, Darryl Worley's flag-wavin', ass-kickin' "Have You Forgotten" rockets up the country singles charts, while pop protesters--among them the Beastie Boys, Billy Bragg, Ani DiFranco, Chumbawamba and John Mellencamp--have been forced to give away their offerings on their Web sites. "Between Infinity and Clear Channel," Mills muttered, "I don't even know how you'd get a protest song on the radio."

"When people are apolitical in moments like this, the politics seem more highlighted and more potent," Toomey insisted, ever the optimist. "There are always political songs, even when people are asking, 'Where are the political songs?'... But the Internet can't fix everything. It's a gathering place, but we own the airwaves."

« Previous Page   1   2   3   4   Next Page »

Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com