Most Popular

  • Fighting Fire With Fire
    Does an unproven treatment that combats drug addiction with drugs promise more than it can deliver?
  • The Ozz-Man Cometh
    After years of touring the nation, Ozzfest 2008 finds a home in Dallas' suburbs
  • César Chávez, Texas
    Forget about renaming Industrial Boulevard or Ross Avenue or the Dallas North Tollway. The city should go all the way.
  • Eat My Dirt
    A builder's guide to skirting the zoning laws and making the city look goofy
  • Low-Bid to No-Bid
    Don't have a clue how DART could bust its budget by a billion bucks? Here's one.

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Great Apes

This Endeavor is another wacky one

Published on March 25, 2004

 3/31

Sometimes it's best to let people speak for themselves, especially when they use an intriguing combination of words that also describes everything in the simplest way possible. So, when Our Endeavors Theater Collective hailed its own upcoming extended performance of Dainty Shapes and Hairy Apes, or The Green Pill, as "a wild-burlesque-nightmare-comic-fantasy that explores sex, politics and the mystery of existence," we couldn't outdo that. Sure, it's a bit over the top and abstract in terms of a summarization, but, considering the creative source, that's the point. Dainty Shapes and Hairy Apes, or The Green Pill, was written in 1922 by Polish artistic revolutionary Stanislaw Witkiewicz, an obscure but influential jack-of-all-expressive-trades. His unique pairing of spiritual exploration and tongue-in-cheek visual outrageousness predates Jean Genet's "Theatre of the Absurd" and also inspired it, in much the same way Yevgeny Zamyatin, the early-20th-century author of We, opened George Orwell's Big Brother eyes. The story unfolds with a scene of sensationalized totalitarianism with two ex-lovers (Pandeus and Sophia) struggling for the soul of an innocent protagonist (Tarquinius). Don't let the flowery names throw you...or do, since the play takes place in an off-kilter burlesque realm that skews realities of fashion, politics and relationships. These are dark left-of-center theatrics that still ring true with today's reality. Our Endeavors Theater Collective, a group of singular but like-minded artists who've covered everything from Kurt Vonnegut to Edward Gorey, presents this interesting oddity at The McKinney Avenue Contemporary beginning with a pay-what-you-can preview on Wednesday. The show runs through April 18. The MAC is located at 3120 McKinney Ave. Visit www.ourendeavors.com or call 214-327-4001. --Matt Hursh

The Number Game
Ongoing

As we learned in A Beautiful Mind and Pi, the elusive world of numbers can really mess up a brain. The same theme applies to the award-winning production of Proof, playing at the Casa Mañana Theatre through March 28. A young woman leaves her own educational pursuits to help her mentally unstable number-genius father. The result is a revolutionary mathematical proof. For the everyday layman, questioning the laws of arithmetic rarely leads to a resolution. But it does test the boundaries and relationship in this family. Ticket prices range from $37 to $55 for shows at 8 p.m. Thursday and Friday, 2 p.m. and 8 p.m. Saturday and 2 p.m. and 7 p.m. Sunday. Casa Mañana Theatre, 3101 W. Lancaster, Fort Worth. Call the theater at 817-332-2272. --Desirée Henry

Windy City Style
3/27

Remember the wondrous days of women trying to have no figure at all? Shapeless dresses that shimmied with fringe and the taping down of breasts to create a more streamlined look for doing the Charleston? And oh, that "rouge" so popular among flappers. The result? Well, ladies like our grandmother cite fun times then and bad knees and breasts that require wheelbarrows now. But hey, that's fashion. Relive the 1920s Chicago Experience with the Repertory Company Theatre's dinner theater that brings razzle-dazzle and a bite to eat straight to the table. There is one night only to admire the pin curls and all that jazz the RCT is offering up. It's 8 p.m. Saturday at the Eisemann Center, 2351 Performance Drive, Richardson. Tickets are $39 to $45. Advance reservations are required. Call 972-690-5029. --Merritt Martin

Pas de Deux Coup
Celebrated dancers couple up for TITAS showcase
3/27

Mon Dieu

! The pas de deux! Such a succulent morsel of classical ballet, scooped out from a full-length ballet, these pieces are star turns for one man and one woman partnered in a sensational showcase of technical prowess. For Dallas balletomanes, this year's TITAS Command Performance of International Ballet features internationally known dancers in pas de deux performances from classics such as Giselle and Don Quixote to Balanchine's exquisite modern works. Among notable featured performers are Cuban Jose Manuel Carreño with Lorna Feijóo, Patricia Barker and Jeffrey Stanton, Lauren Anderson with Andrew Murphy, and Rasta Thomas and Chiaki Yasukawa. For the first time, TITAS will feature a local dancer, Christopher Vo, a senior from Booker T. Washington High School for the Performing and Visual Arts, in two solo pieces. Get tickets ($15 to $150) for the 7 p.m. Saturday gala at the Music Hall at Fair Park by calling the TITAS box office at 214-528-5576. --Annabelle Massey Helber

Bookin’ It
A book about museums comes to the museum
3/31

1   2   Next Page »

Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com