Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The Roots

The Tipping Point (Geffen)

Share

  • rss

By SAM CHENNAULT

Published on July 29, 2004

Sometimes in order to move forward, you have to step back. Shying away from the cracked, free-form jams of their previous album, 2002's Phrenology, the Roots return to the more traditional boom-bap-cum-Native Tongues aesthetic of their previous work on The Tipping Point, especially on tracks such as "Stay Cool" and "Boom," although they've also adopted a more muscular and jagged sound, on display on the album's first single, "Don't Say Nuthin'." And while ?uestlove and crew lay down some of their hardest-hitting rhythms to date, this is clearly lyricist Black Thought's show. Whether affecting the flow of Kool G. Rap on "Boom," taking aim at George W. Bush on "Why" or spitting a raucous verse on the instantly gratifying basement blues of "The Mic," Black Thought is at the top of his game and establishes himself here as one of the premier lyrical stylists in the game.