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Fighting Fire With Fire
Does an unproven treatment that combats drug addiction with drugs promise more than it can deliver?
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César Chávez, Texas
Forget about renaming Industrial Boulevard or Ross Avenue or the Dallas North Tollway. The city should go all the way.
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Eat My Dirt
A builder's guide to skirting the zoning laws and making the city look goofy
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Low-Bid to No-Bid
Don't have a clue how DART could bust its budget by a billion bucks? Here's one.
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Enter Stage Right
With the curtain falling on its old playhouse,Dallas Theater Center gets its act together with a new leader
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Recent Articles by Mikael Wood
A Little Bit Longer (Hollywood)
Moonswept (429 Records)
Monday, May 14, at the Granada Theater
Friday, February 2, at the Palladium Ballroom
The Hidden Cameras play Polyphonic Spree-esque church rock, with a naughty twist
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Dizzee Rascal
Monday, April 11
Published on April 07, 2005
Despite the impassioned hyperventilations of the New York media and the nationwide blogosphere, the UK hip-hop offshoot known as grime has yet to make much of a commercial impact in the United States. Aficionados insist that the release of the excellent new Run the Road compilation may change that; the relatively tame stateside sales of the Streets' two albums throw some water on the hype-flame. No matter the burgeoning genre's mainstream penetration, expect young Dizzee Rascal, grime's most identifiable personality, to keep on keeping on: Both of his tense, clever albums seem to come from a well of creativity that should deepen as he ages.