Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Supergrass

Road to Rouen (Parlophone)

Share

  • rss

By Jesse Hughey

Published on August 18, 2005

Supergrass no longer sounds like a hyperactive younger brother jumping up and down, clamoring for attention. After releasing last year's retrospective, Supergrass is 10, perhaps the band decided that year 11--and the album that goes with it, Road to Rouen--marked the time to grow up and mellow out. With help from keyboardist Rob Coombes, the Oxford quartet ventures even farther from their former pop-single simplicity, augmenting familiar classic-rock guitar grooves with pianos, maracas and a zither. Opener "Tales of Endurance" starts with fast-strummed acoustic guitar only to crescendo in reverberating piano, slide guitar and brass, and it's almost matched in ambition by "Roxy," a six-minute epic of organ and strings. Rouen sees the band finally trying tempos other than fast and kinda-fast--"St. Petersburg," the first single (which you might hear if you travel to a city with an alternative rock station), has a shuffling, brushed-snare backbeat, which is a nice result of this new emphasis on dynamism. Instead of asking if you can hear them pumping on your stereo, singer Gaz Coombes claims on "Endurance" that he and his mates welcome commercial suicide. But considering this is their best album ever, let's hope this Road doesn't lead to it.