Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Mudhoney

Under a Billion Suns (Sub Pop)

Share

  • rss

By Andrew Marcus

Published on March 16, 2006

Something is wrong with society when the most impish bands of the '90s start making resonant social statements. But on Under a Billion Suns, Mudhoney has proven itself even more vexed and pissed than Green Day or NOFX. Partly, it's the sound: Oxidized slabs of guitar psychedelia evoke messy times better than polished punk. Riffs cross like hot wires all over the album, girded by heavy groove, pierced by the still-feral-at-43 voice of Mark Arm and punched with a horn section that sounds like a high school brass band chosen specifically to underline the theme of American bombast. But Arm's words make as deep an impression. The middle-age wasteland anthem "Empty Shells" manages both sympathy and disgust, while "Where Is the Future" makes you feel supremely ripped off by the dual promise of sci-fi and the Space Race. "Hard-On for War," as simplistic as the title seems, asserts the sexual dynamics of war-making more convincingly than anything since the Dead Kennedys--a feat in general but perhaps especially for the man best-known for "Touch Me I'm Sick."