Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Carla Bozulich

Evangelista (Constellation)

Share

  • rss

By Darryl Smyers

Published on June 29, 2006

While her eerie alt-country creations with the Geraldine Fibbers were moody to say the least, Carla Bozulich's second solo release, Evangelista, is another matter altogether. Largely improvisational, the nine lengthy compositions are dark and harrowing tales of religious and personal disintegration set to a pace only a snail could love. Like a folk version of Diamanda Galas, Bozulich's artistic integrity is to be commended even if the end result succeeds in being more frightening than listenable. Set against a backdrop of sampled sermons, tape hiss and a string section tuned to the key of creepy, songs like "How to Survive Being Hit by Lightning," "Inside Sleeps" and a manic deconstruction of Low's "Pissing" are unsettling and fascinatingly emotive. With her vocals wheezing in and out of the swampy mix, Bozulich is intense to a fault, sometimes coming across like Stevie Nicks on an acid trip through a countryside freak show. Music this challenging is either the result of a truly unique and convincing theatrical bent or the product of an artistically disturbed mind.