Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Houston Press

    Hate to Say We Told You So

    A year before Toyota's massive recall, we published a lengthy investigation of problems with the Prius.

    By Paul Knight

  • Miami New Times

    Sex, Drugs, Gambling--and Football

    Heading to Miami for the Super Bowl? Don't leave the hotel without our guide to vice in the Magic City.

    By Michael J. Mooney and Gus Garcia-Roberts

  • City Pages

    Life in the Blue Zone

    Daredevil Dan Buettner's latest trick? Bringing the secrets of immortality to Minnesota.

    By Erin Carlyle

  • Phoenix New Times

    The Greatest Dane

    Bigger than Shaq and proud of it, the world's tallest dog may be living in Tucson.

    By James King

Money Waters

Swalhaggin (Noir Sound Records)

Share

  • rss

By Jesse Hughey

Published on October 12, 2006

Money Waters is a natural storyteller who takes his sweet time telling a joke or dropping some hard-earned knowledge. You don't wanna stop him, even if you've already heard it.

The Pleasant Grove rapper is strongest when he and his homeboys are venting their Everyman tales of frustration about nagging wives and big-talking friends (in stoner anthem "Gotta Gar?") or "Broke Bitches" who won't help out with the lunch tab. "Fightin' and Gripin'" hilariously details his aggravation with a friend who's letting a woman get in the way of chilling with his friends.

But after going to the Millions More Movement last year, Waters felt the need to speak on racial issues. Swalhaggin (read it backward--silently if you're white), starts with the righteously angry "Fuckery." His disgust with racism past and present calls for revolution ("...We've been hypnotized/The black man needs a good back hand just to slap out that shit and realize/That we're the sleeping giant...") as well as demonstrates his dynamic flow: internal rhymes, attention-grabbing pauses and a conversational rhythm that rolls and bounces over his lyrics. Elsewhere, he warns a friend about the dope game in "Be Careful," bemoans the "Eva Changin'" world and lets guest Uncle Pauly lay down the law in "Niggallegiance," the spiritual centerpiece of the album, which comes off as a slightly preachy pep talk to black men, even if it offers no solutions.

Money's mixture of blues and rap won't redefine either genre, but the combo is a powerful musical statement. The rich Rummsquad production is a nice change from minimalist Dirty South beats, and melodic blues bass, funk drumbeats and Kerav Shimon's wah-wah guitar riffs complement Waters' syrupy Texissippi drawl.

Money wants a revolution, but he'll settle for some 'dro and a break from the bullshit. Don't forget the 'gar.