Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Detroit Cobras, Taylor Hollingsworth

Share

  • rss

Published on October 25, 2006 at 12:32pm

In this stultifying era of tribute groups, unimaginative rock & roll revivals and endless oldies weekends, what makes the Detroit Cobras more than just another cover band is that they bring something of their own to the table: fire. Guitarist Mary Ramirez keeps things down to earth with her chopped-up, rootsy garage-rock riffing, and singer Rachael Nagy is such a radiantly powerful, distinctively soulful stylist that the Cobras' remakes of obscure R&B gems are often more memorable than the originals. (And that's really saying something when you consider that they're redoing tunes by the legendary likes of Otis Redding, Bobby Womack and Jackie DeShannon, who was so pleased by their version of "He Did It" on 2001's Life, Love and Leaving that she's now one of band's biggest fans.) Like the Rolling Stones, who also started out as a cover band, the Detroit Cobras are finally writing original songs such as "Hot Dog (Watch Me Eat)," from their 2005 CD, Baby, that approach the intensity of those divinely, deliciously incendiary remakes. —Falling James