Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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The Caretaker
One mother's crusade to better the life of her mentally retarded son and the system that failed him
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Stand and Deliver
WIth No Deliverance, The Toadies revert to the bare bones of their past
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Morning Wood
My Morning Jacket is the best live band in the world
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They Shall Be Comforted
Friends and faith buoy the family of a slain Christian music producer
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Detroit Cobras, Taylor Hollingsworth
Published on October 26, 2006
In this stultifying era of tribute groups, unimaginative rock & roll revivals and endless oldies weekends, what makes the Detroit Cobras more than just another cover band is that they bring something of their own to the table: fire. Guitarist Mary Ramirez keeps things down to earth with her chopped-up, rootsy garage-rock riffing, and singer Rachael Nagy is such a radiantly powerful, distinctively soulful stylist that the Cobras' remakes of obscure R&B gems are often more memorable than the originals. (And that's really saying something when you consider that they're redoing tunes by the legendary likes of Otis Redding, Bobby Womack and Jackie DeShannon, who was so pleased by their version of "He Did It" on 2001's Life, Love and Leaving that she's now one of band's biggest fans.) Like the Rolling Stones, who also started out as a cover band, the Detroit Cobras are finally writing original songs such as "Hot Dog (Watch Me Eat)," from their 2005 CD, Baby, that approach the intensity of those divinely, deliciously incendiary remakes. —Falling James