Most Popular

  • Fighting Fire With Fire
    Does an unproven treatment that combats drug addiction with drugs promise more than it can deliver?
  • César Chávez, Texas
    Forget about renaming Industrial Boulevard or Ross Avenue or the Dallas North Tollway. The city should go all the way.
  • Eat My Dirt
    A builder's guide to skirting the zoning laws and making the city look goofy
  • Low-Bid to No-Bid
    Don't have a clue how DART could bust its budget by a billion bucks? Here's one.
  • Enter Stage Right
    With the curtain falling on its old playhouse,Dallas Theater Center gets its act together with a new leader

Recent Articles

Recent Articles by Darryl Smyers

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Tom Freund

Saturday, November 11, at Bend Studio

By Darryl Smyers

Published on November 09, 2006

If there is such a genre as ambient Americana, then Tom Freund is its standard bearer. First gaining attention as a touring member of pioneering roots rockers the Silos, Freund has parlayed a decade-long friendship with Ben Harper into a series of atmospherically rustic releases that culminated in 2004's Copper Moon, a sparkling collection of folk and pop that defies easy categorization. Intense and charismatically brooding, Freund's literate narratives provide a link between Nick Drake and Jeff Tweedy, detailed explorations of the ins and outs of affection that never descend into formula. Hailed by Graham Parker as a songwriter on par with Lucinda Williams, Freund appears to be at the precipice of larger recognition. Perhaps a bit too blue-collar for those who think indie rock needs to be abrasive, songs such as "Comfortable in Your Arms" and "Married to Laughter" serve as sanctuaries of repose in the hectic mass of shouters and scene-chasers.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com