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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles by Michael Chamy
You won't find any Justin Timberlake on this list, as we check the top albums for those who like it weird, noisy and experimental
Friday, December 15, at Art Prostitute
Friday, December 15, at Double Wide
Saturday, December 9, at Metrognome Collective, in Fort Worth
Saturday, December 9, at Hailey's, in Denton
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A Spune Christmas 2006
Saturday, December 9, at Hailey's, in Denton
Published on December 07, 2006
In a year most notable for their midsummer indie-rock roadshow cluster Wall of Sound, it's nice to see Spune Productions return to their local roots. Norman, Oklahoma's Starlight Mints are the name here, but their post-Flaming Lips eccentricity is just an anchor for one of the best local bills in recent memory. Baboon's odd anthemic swagger, Pleasant Grove's desolate western vignettes and Ghostcar's blustery electric jazz romps are all tempered with such incongruous elements that both throw you off-guard and reaffirm why they are each masters at the particular fields they mine. Stumptone's expansive psych-rock songscapes, Record Hop's white-hot dissonant alt-rock and Red Monroe's postpunky/Modest Mouse stew highlight the rest of a jolly good field. Starts at 5:30 p.m.