By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
By Anna Merlan
By Lee Escobedo
By Alice Laussade
By Scott Reitz
Gwen Stefani's shtick has come to embody an entire female generation's attitude toward good times and spending money. Simply check out The Sweet Escape highlight reel: "Breakin' Up" is a possible transcript of a customer-service call with Verizon. Both "Yummy" and the lead single "Wind It Up" speak to the joys of clubbing (with the latter sampling The Sound of Music). And if there's anyone out there who still can't relate to cell phones, club culture and two-ways, the slinky manifesto "Orange County Girl," wherein Gwen admits to once "selling makeup at the mall," should do the trick.
Produced by a host of big names including the Neptunes, Akon and No Doubt's Tony Kanal, the tracks re-wed marching bands and videogames (if it ain't broke, make Breakin' 2). When Gwen does step out of the club for winsome tunes such as "Early Winter" and "Wonderful Life," things approach enjoyable in a Euro-pop kind of way. But ultimately she's doing Like a Virgin: The Musical, replacing Madonna's uncomfortable Catholic guilt with lines such as "I'm so luscious I ache." This is our reward for living in a world where fierce allegiances are forged over a nice pair of shoes.
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