Most Popular

  • The Hard Lie
    How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • The Dirt Doctor
    How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
  • The Caretaker
    One mother's crusade to better the life of her mentally retarded son and the system that failed him
  • Our 20th Music Awards
    1988-2008: Two Decades of DOMA

Recent Articles

Recent Articles by Rob Harvilla

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Sloan

Never Hear the End of It (Yep Roc)

By Rob Harvilla

Published on January 25, 2007

The cover shot of Sloan's 650th album echoes that of Television's Marquee Moon—four gaunt, haggard dudes stare down the camera—except these Canadian power-pop lifers have more gray hair and opted for a bright pink background, a solid wall of bubblegum with silver streaks. Sonically, Never Hear the End of It apes an early Guided by Voices record with far better production and (presumably) far less drunken participants—it's the ol' "buried by a dump truck of kittens" approach, 30 tracks and 3,000 sugar-shock melodies mashed almost arbitrarily together, fully realized anthems scraping against minute-long throwaways with nary a second of dead air in between. Plenty of ephemeral joy to be had—"I Understand" and "Who Taught You to Live Like That" bury their hooks particularly deep—but throughout lurks bittersweet injustice. Like so many equally excellent pop-genius kin—Teenage Fanclub, say—Sloan are as big as they're gonna get, which ain't big enough. Which brings us to our anthemic apex and emotional nadir: "Fading Into Obscurity," an unbelievable four-minute, multi-part epic that barely manages to cloak its wistful longing for fleeting fame in metaphor—"The cake is baked but I much preferred the batter/Perhaps in part because it had so much potential/To be delicious and still be influential." Brutal, but also gorgeous, an apocalyptic prom theme for king and queen runners-up, a "God Gave Rock 'n' Roll to You" for those God unfairly spurned. Eat a slice of fucking cake already.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com