Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Jill Scott

Collaborations (Hidden Beach/Epic)

Share

  • rss

By Dan Leroy

Published on February 28, 2007 at 1:10pm

Let's get the public service announcement out of the way first: This is not the new Jill Scott album. Instead, it's a stopgap compilation, and unhappiness with Collaborations is likely to center around that distinction.

Whether Collaborations, a collection of Scott's duets from over the years, is actually performing a public service is another question. In the guest-spot-happy world of urban music, any attempt to gather an artist's outside work should be welcomed. And Scott's honey-glazed vocals and lithe phrasing are a reassuring constant on these 14 tracks, making the transitions smooth from pop-rap (Will Smith's "The Rain") to nearly straight jazz ("God Bless the Child," with Al Jarreau and George Benson).

Hard-core fans, however, will have created their own superior mixtapes by now—ones that don't include Sergio Mendes and will.i.am's abysmal "Let Me." And Scott's hook-laden singing will give newcomers an often lovely but ultimately misleading picture of her true artistry. Unless you need an introduction to her voice—and if you do, you really do—waiting for her next solo disc might be the best bet.