Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The Stooges

The Weirdness (Virgin)

Share

  • rss

By Michael Roberts

Published on March 14, 2007 at 12:11pm

On "Trollin'," The Weirdness' first cut, Iggy Pop declares, "Rock critics wouldn't like this at all," and if he's right, the Stooges' improbable comeback will collapse on the starting line. In the end, though, most reviewers are apt to view the disc as an honorable miss, not a flat-out disaster. There was never much chance that these guys could recapture the glory days, and these 12 serviceable but strangely self-conscious songs prove it. Granted, guitarist Ron Asheton and his drumming brother, Scott, come across as game, and ex-Minutemen bassist Mike Watt and producer Steve Albini are ideal recruits. But while "Greedy Awful People" and the rest are overtly primitive, they never seem on the verge of implosion, as does 1969's The Stooges. Moreover, Pop's vocals, which once had to fight for their place amid the instrumental maelstrom, are out front and prominent, thereby placing too much emphasis on lyrics that smack of forced nihilism ("My idea of fun/Is killing everyone") or metaphysical dumbness ("I saw Frank Zappa eat a lonely hot dog"). Take that, rock critics.