Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Houston Press

    Hate to Say We Told You So

    A year before Toyota's massive recall, we published a lengthy investigation of problems with the Prius.

    By Paul Knight

  • Miami New Times

    Sex, Drugs, Gambling--and Football

    Heading to Miami for the Super Bowl? Don't leave the hotel without our guide to vice in the Magic City.

    By Michael J. Mooney and Gus Garcia-Roberts

  • City Pages

    Life in the Blue Zone

    Daredevil Dan Buettner's latest trick? Bringing the secrets of immortality to Minnesota.

    By Erin Carlyle

  • Phoenix New Times

    The Greatest Dane

    Bigger than Shaq and proud of it, the world's tallest dog may be living in Tucson.

    By James King

Jarvis Cocker

Jarvis (Rough Trade)

Share

  • rss

By Russel Swensen

Published on April 11, 2007 at 12:37pm

Former frontman of the former British sense-band Pulp, Jarvis Cocker has been creating sexual narratives both desperate and weary since he was a teenager. It's been 25 years of rock and pop equally shameless (always ready for the next bit of fun) and forlorn (when you think about it, this isn't really that much fun), culminating in This Is Hardcore, a come-on muttered from a broken-down man, behind a wall of sound and fractured sweetness. But now, even the bravado of despair has gone missing; this is a flat, tepid album. The production's barely present, the sentiment itself, ghosted in. It's also the best thing Jarvis has done in years.

The easy swing of songs like "Tonite" makes settling for less seem an actual consolation ("So let's go take some drugs / And let's go have some sex"), and in the utter lack of hope there's a surprising amount of warmth, the relief of knowing that this is, finally, it. No more trying. This despair is finally an adult despair, the sort that's almost crooned. Still, this isn't an intimate record; it's a dilapidated one. "I Will Kill Again" is our standard, logging onto the Internet, drinking a half-bottle of wine. This is the sound of someone putting their life into boxes.

Nothing can forgive the insipid or the faithless, but there's more than enough shambling loss here to keep one listening, if only to find out exactly how missing one can go. By the time we get to the album's big number ("Big Julie"), we know how this world goes: None of us were saved by rock and roll. That doesn't mean it wasn't beautiful.