Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Cole Haddon
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Damien Rice
Monday, May 7, at the Majestic Theater
Published on May 03, 2007
If you happened to see the movie Closer, then that was probably your first taste of Damien Rice; "The Blower's Daughter," from his debut O, served as the movie's ultra-depressing theme and proved even more ultra-depressing than the movie. Last year, Rice released his follow-up, 9, which was a bit more hopeful affair and, like O, featured the hypnotic, but also excessively depressing, voice of Lisa Hannigan—Rice's regular collaborator, despite the fact that their numerous duets weren't even credited to her. Maybe that's why in March Rice and Hannigan announced their professional relationship "had run its creative course." This sounds an awful lot like a nice way of saying she told the attention-hog to piss off, and it's too bad too. Watching these two vocally challenge each other onstage was a wonderfully dark but somehow beautiful affair. Without her, one has to wonder how audiences will survive Rice's shows without the benefit of, say, powerful antidepressants.