Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The Album Leaf

Saturday, May 5, at Hailey's, Denton

Share

  • rss

By Darryl Smyers

Published on May 02, 2007 at 3:44pm

Tristeza guitarist Jimmy LaValle is the Album Leaf, and it's his orchestral vision that sets his music apart from many making similarly experimental pop. Tranquil to a fault, LaValle creates compositions with a pulse so faint that listeners might want to invest in a stethoscope. Into the Blue Again, LaValle's fourth release under the Album Leaf moniker, finds him creating soundscapes that are actually tamer than those on previous efforts. A song such as "Into the Sea" makes one wonder if the title should have been "Into a small, undisturbed pond at night in the dead of winter." LaValle works best when incorporating ambient noise and lively field recordings into his dense textures as he did on An Orchestrated Rise to Fall and One Day I'll Be on Time, his first two releases. Since then, each successive recording has become increasingly instrumental and, unfortunately, relegated to a sad descriptor: background music. Here's hoping that in a live setting LaValle decides to once again engage the listeners instead of making music for them to talk over.