Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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The Caretaker
One mother's crusade to better the life of her mentally retarded son and the system that failed him
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Stand and Deliver
WIth No Deliverance, The Toadies revert to the bare bones of their past
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Morning Wood
My Morning Jacket is the best live band in the world
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They Shall Be Comforted
Friends and faith buoy the family of a slain Christian music producer
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Recent Articles
Recent Articles by AUSTIN POWELL
Harry and the Potters are here to school you
Friday, June 8, at Hailey's, Denton
Sunday, May 27, at Hailey's
Friday, May 25, at Rubber Gloves
Friday, May 18, at Hailey's, Denton
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Clientele, Beach House
Friday, May 18, at Hailey's, Denton
Published on May 17, 2007
Proceed with caution if you plan on mixing alcohol or sedatives with this dreamy indie line-up. Clientele winces the night away with a gorgeous blend of '60s pop, poignant and pensive, led by the soothing vocals of Alasdair MacLean, who manages to sound a bit like each member of the Fab Four. The British quintet's brilliant third full-length, God Save the Clientele, which was recorded in Nashville by Lambchop's Marky Nevers, adds a tinge of Byrdsian pastoralism and rich string arrangements, courtesy of Med Draisey, to the simplistic beauty conveyed on 2005's Strange Geometry. Likewise, the hypnotic lo-fi tunes by Baltimore duo Beach House move like slow-motion photographs, shifting in and out of focus. On their 2006 eponymous debut, singer/organist Victoria Legrand's elegant Nico-esque cull floats weightlessly atop the enchanted waltzes created by guitarist/keyboardist Alex Scally like an alternate soundtrack to Eternal Sunshine of the Spotless Mind. Local roots rocker and truth seeker Doug Burr of the Lonelies will open.