Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Architecture in Helsinki, Glass Candy, Panther

Tuesday, November 13, at Hailey's, Denton

Share

  • rss

By Daniel Siwek

Published on November 07, 2007 at 12:32pm

Some bands reveal their hometown before the first chord is struck, certainly before the end of the first verse, but Architecture in Helsinki may as well be the house band from Mars. Not that their sound is so alien (high-energy indie-pop meets electronic music with a dance-punk twist and more instruments than an oompah band), but the group from Melbourne plays like it's opening for Mitch Ryder in Detroit on one song and for Lord Kitchener in Trinidad on another. They debuted with Fingers Crossed in 2004, which brought them mucho attention back home, showcasing tap-dancing as a tracked instrument, but two albums later, leader Cameron Bird brought the flock (losing two chicks along the way, becoming a sextet) over to Williamsburg, Brooklyn, to record Places Like This with Chris Coady (Yeah Yeah Yeahs) for their new label, Polyvinyl.