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Greg Williams 'Hammers' The Ticket

Continued from page 1

Published on November 21, 2007 at 11:55am

But considering Williams' sad saga, can the Marconi Awards continue? Can The Ticket retain its credibility despite one of its hosts drugging his into oblivion? And, if forced to put on a disingenuous happy face, will The Hardline deteriorate into The Hard Lie?

When Hammer returns, he'll be met by everything from hugs to indifferent shrugs. He can boast of eating 10 Whataburgers and produce classic "Do you like this gig?" ramblings all he wants, but Williams' reputation has suffered serious damage. Privately, some co-workers no longer trust him, caring for Williams as a person but writing him off as a professional.

That alienation surfaced during the last month, when the same station that circled the emotional wagons in the wake of close friend Carter Albrecht's death unsympathetically abandoned and morphed Williams into a punch line. The Hardline returned from commercial breaks to Amy Winehouse's "Rehab" and Eric Clapton's "Cocaine." And Rhyner, Williams' partner since the station's inception in 1994, one day punctuated a Hammer series of "don't stop him, he's on a roll" archived audio snippets with "Oh, if you only knew how much he was rollin'." A diluted kinship amongst on-air personalities would severely damage the station's hallmark: genuine chemistry.

Whatever the resolution, Hammer's status is the biggest blow The Ticket has faced.

But come to think of it, The Hardline could—like the dead guy propped up in Weekend at Bernie's—eternally embalm Williams' legacy just by regularly playing well-timed drops. Even more fascinating will be Williams' reality-check return to the air.

"Honestly, you know what the best thing for me would be right now?" Williams says. "Getting back to work."

Stay hard, right?

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