• Jay-Z, American Gangster

    "This album is just ridiculous. Everybody in the world knows that Jay-Z is the hottest rap act in the world right now. He owns hip-hop, and since Biggie and Tupac are gone, somebody's gotta own it."

    Jon Wilkins

    Guitarist Jon Wilkins has had a whirlwind year. As a member of South Florida indie darlings the Postmarks, he was on the road for most of 2007 pushing his band's self-titled debut album. Lucky for him, constant touring also means finding lots of new record stores and under-the-radar releases.

    "Most of my picks are from the various tours I've been on this year, exploring new record stores and meeting other musicians with great recommendations," he says. "The Jonny Greenwood mix for Trojan is my favorite. And I've been a big fan of Mavis Staples and all the women of soul like Esther Phillips and Betty Wright. As for pop music, it was an amazing year, most notably the Clientele record. Touring with the Apples [in Stereo] really got me into their latest and also turned me on to Aqueduct, both incredibly great records and the nicest people you'd ever want to meet. And I can't help but put John Ralston's record on there...I really do listen to it and it will always be special to me.

    • Trojan Records, Jonny Greenwood Is The Controller

    • Mavis Staples, We'll Never Turn Back

    • John Ralston, Sorry Vampire

    • The Clientele, God Save The Clientele

    • The Apples in Stereo, New Magnetic Wonder

    • Aqueduct, Or Give Me Death

    • Sondre Lerche, Phantom Punch

    • Jason Falkner, I'm OK, You're OK

    • The High Lllamas, Can Cladders

    • Josh Rouse, Country Mouse, City House

    DJ Le Spam

    Born in Montreal as Andrew Yeomanson, DJ Le Spam is a South Florida legend, a spinner of rare grooves and Latin soul cookers that most record hounds only wish they could get their hands on. He's known as one of the best salsa fusion DJs in the country, possibly the world, and he keeps his ear out for the quality comps and reissues that make the people move. Aside from his monthly residence at SOB's in New York with the Spam Allstars and getting write-ups in Rolling Stone and The New York Times, he was recently tapped by Fania Records (former home of Hector Lavoe and Willie Colon) to record Fania Live 02, which was released last month.

    • Various Artists, Florida Funk: Funk 45s from the Alligator State

      "This is a great sampling of rare early '70s funk 45s from around the state. It goes a little deeper than the 'Miami Sound' compilation from Soul Jazz a few years back. All of these 45s are obscure gems."

    • Various Artists, The Outskirts Of Deep City: Eccentric Soul

      "Here's another great compilation of rare soul 45s from Miami's legendary Deep City label. This is the second Deep City comp that the Numero label has put out, they do an excellent job of researching and re-mastering their reissues."

    • The Budos Band, The Budos Band II

      "Great second album from this band in the Daptone stable. Daptone is recording soul, funk and groove music the right way and has been one of my favorite labels for years. Get it on vinyl!"

    • Eddie Palmieri

      Azucar Pa' Ti (Sugar For You)


      Recorded Live at Sing Sing with Harlem River Drive

      "Here are three essential Eddie Palmieri albums reissued in the past 12 months by the Fania label, which is re-mastering many long-unavailable albums from their huge catalog. Live at Sing Sing is like a funky Latin version of Johnny Cash Live at Folsom Prison... Crazy bottled-up energy on that recording! I know most of these are older recordings, but that's what I listen to!"

    Chris Carrabba's (Dashboard Confessional) Un-annotated Top 10

    • John Ralston, Sorry Vampire

    • Spoon, Ga Ga Ga Ga Ga

    • Bruce Springsteen, Magic

    • Say Anything, In Defense of The Genre

    • Against Me!, New Wave

    • Kanye West, Graduation

    • Motion City Soundtrack, Even If It Kills Me

    • Minus The Bear, Planet of Ice

    • Chuck Ragan, Los Feliz

    • Albert Hammond Jr., Yours To Keep

    —Jonathan Cunningham

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