Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Niki D'Andrea
Wednesday, November 21, at the Palladium
Tuesday, October 16, at the Cavern
We Sing of Only Blood or Love (Fat Possum Records)
Let's end this. Now.
Say Go Sonic Swirl
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
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Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Johnette Napolitano
Scarred (Hybrid Recordings)
Published on January 03, 2008
After more than 25 years in the music business, Johnette Napolitano has made her masterpiece. From the haunting synth programming on "Amazing" to the poignant ballad "The Scientist" to her deep 'n' doomy cover of Lou Reed's "All Tomorrow's Parties," Scarred is a sonic portrait of an artist who has stripped away the clamorous sounds of stardom so she can hear herself think. The result is a set of poignant and diverse songs, carried by that voice, which sounds stronger than ever—especially in the wails of the tortured title track and the song "Just Like Time," where she croons, "And for a minute there, I was nothing wrong/Can we please rewind because I loved that song/And when the moon rises tonight it will take my breath/It's a lot like death."