Most Popular

  • The Hard Lie
    How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • Bless Us, Oh Lard
    Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
  • The Dirt Doctor
    How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
  • For Whom the Bell Tolls
    Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?

Recent Articles

Recent Articles by Darryl Smyers

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

1100 Springs, Two Tons of Steel, Tejas Brothers

Friday, January 11, at The Granada

By Darryl Smyers

Published on January 10, 2008

It would be hard to fathom a better collection of roots performers than this trio of acts from across the state. Fort Worth's Tejas Brothers have been around a year or so, but their greasy mix of country, soul and Tejano is just now attracting the kudos it so richly deserves. Songs such as "Love Me or Leave Me" and "Doing a Real Good Job" are reminiscent of the late, great Doug Sahm as frontman Chris Zalez leads this fine quartet into all corners of Americana. San Antonio's Two Tons of Steel has been described as equal parts Elvis Costello and Elvis Presley with a dose of Buddy Holly thrown in, and such a depiction is fairly accurate. Vegas, the band's robust 2005 debut, featured a hayseed deconstruction of the Ramones' "I Want to be Sedated" that worked because of the band's irreverent refusal to kowtow to anyone's preconceived notion of what is and isn't country. Matt Hillyer has been a fixture on the Dallas music scene for going on two decades and 1100 Springs just seems to get better and better with age. Expect a new CD in the very near future, and in the meantime, catch Hillyer and crew headlining this fantastic bill of what Steve Earle correctly calls "real music."



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com