Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Darryl Smyers
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Saturday, July 19, at House of Blues' Pontiac Garage
Even after so many years and so many bands, Todd Rundgren keeps doing things his way
Saturday, July 12, at House of Blues
Fleet Foxes' successful sound depends on slowing things down
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1100 Springs, Two Tons of Steel, Tejas Brothers
Friday, January 11, at The Granada
Published on January 10, 2008
It would be hard to fathom a better collection of roots performers than this trio of acts from across the state. Fort Worth's Tejas Brothers have been around a year or so, but their greasy mix of country, soul and Tejano is just now attracting the kudos it so richly deserves. Songs such as "Love Me or Leave Me" and "Doing a Real Good Job" are reminiscent of the late, great Doug Sahm as frontman Chris Zalez leads this fine quartet into all corners of Americana. San Antonio's Two Tons of Steel has been described as equal parts Elvis Costello and Elvis Presley with a dose of Buddy Holly thrown in, and such a depiction is fairly accurate. Vegas, the band's robust 2005 debut, featured a hayseed deconstruction of the Ramones' "I Want to be Sedated" that worked because of the band's irreverent refusal to kowtow to anyone's preconceived notion of what is and isn't country. Matt Hillyer has been a fixture on the Dallas music scene for going on two decades and 1100 Springs just seems to get better and better with age. Expect a new CD in the very near future, and in the meantime, catch Hillyer and crew headlining this fantastic bill of what Steve Earle correctly calls "real music."