Most Popular
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Man Who Would Be King
Freddy Haynes seemed a shoo-in to lead the NAACP. Then Obama's ex-pastor came to town.
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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For Whom the Bell Tolls
Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?
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Sexy Town
Imagine a city with flowing creeks, walkable neighborhoods and greenery. No, not Seattle, dummy.
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The Best Albums of 2008, So Far...
Just over three months into 2008 and we're already fussing over which albums will make our year-end best-of lists
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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1100 Springs, Two Tons of Steel, Tejas Brothers
Friday, January 11, at The Granada
Published on January 10, 2008
It would be hard to fathom a better collection of roots performers than this trio of acts from across the state. Fort Worth's Tejas Brothers have been around a year or so, but their greasy mix of country, soul and Tejano is just now attracting the kudos it so richly deserves. Songs such as "Love Me or Leave Me" and "Doing a Real Good Job" are reminiscent of the late, great Doug Sahm as frontman Chris Zalez leads this fine quartet into all corners of Americana. San Antonio's Two Tons of Steel has been described as equal parts Elvis Costello and Elvis Presley with a dose of Buddy Holly thrown in, and such a depiction is fairly accurate. Vegas, the band's robust 2005 debut, featured a hayseed deconstruction of the Ramones' "I Want to be Sedated" that worked because of the band's irreverent refusal to kowtow to anyone's preconceived notion of what is and isn't country. Matt Hillyer has been a fixture on the Dallas music scene for going on two decades and 1100 Springs just seems to get better and better with age. Expect a new CD in the very near future, and in the meantime, catch Hillyer and crew headlining this fantastic bill of what Steve Earle correctly calls "real music."