A blogger steals someone else's life story and calls it her own.
How William Orr's quest for better, cheaper gas became a crime.
The family of a dead judge blames a creeping fungus in the federal courthouse.
I worked at Kmart with John McCain's director of strategy.
Thankfully, by way of a corrective, there was Oscar-nominated director Edet Belzberg's superb An American Soldier, which follows a Houma, Louisiana, Army recruiter as he enlists the next generation of U.S. military cadets, then follows three of his recruits as they make their way through basic training and beyond. From its boldfaced candor about the difficulties of recruitment in a time of war to its upending of numerous infantry stereotypes (all of the film's subjects are white, while the most gung-ho of the lot is a college-bound honors student), Belzberg's film is neither a jingoist tract nor an anti-military jihad, but a measured, intelligent and even inspiring portrait of the men and women charged with defending our country.
Two of the best films at Sundance 2008 expressed subtle nostalgia for literally and figuratively extinct stretches of lower Manhattan. Shot almost entirely in the Chambers Street loft of his father, the legendary avant-garde filmmaker Ken Jacobs, Azazel Jacobs' delightful Momma's Man consecrates a bohemian lower Manhattan slowly giving way to gentrification as it tells the story of a 30-something businessman who can't bring himself to leave his childhood home after paying a visit to his aging parents (touchingly played by the elder Jacobs and his wife, Flo).Meanwhile, Wisconsin Death Trip director James Marsh's Man on Wire revisits the peculiar case of French provocateur Philippe Petit and his 1974 tightrope walk between the Twin Towers of the World Trade Center and makes of it a magnificently eccentric film about imagination, risk-taking and the unabated creative spirit. Petit had actually conceived of his stunt years earlier, when he first read about the WTC's impending construction. In 2008, he ascended the Sundance stage with Marsh to collect the second of Man on Wire's two prizes (Grand Jury Prize and Audience Award of the international documentary competition) and spoke these parting words for the next generation of artists and daydreamers: "Keep moving mountains. Keep growing wings."