Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Citizen Faux

Orson Welles calls out a faker

Share

  • rss

By Danna Berger

Published on March 01, 2008 at 12:40am

"Is it live, or is it Memorex?"—an old commercial tag both sacred and obsolete in today's Photoshop society. Google it and you'll witness its dilution ad infinitum on blogs that slam boob jobs and poseurs, written by people that buy Chinese knockoffs to save money. Rewind about 10 years and you'll find actor/director Orson Welles' 1974 doc, Vérités et Mensonges (F is for Fake), a rambling montage biodoc about art forger Elmyr de Hory. The suicidal genius was ripped off by his managers; his fakes became prized after his death. Who’s the criminal here? Though rarely screened, F is critically acclaimed for its provocative, surreal exposé of the film and art industry. See it as part of the Modern Art Museum of Fort Worth’s (3200 Darnell St.) free lecture series Modern Cinema: Ground-Breaking Documentaries from the Seventies at 6 p.m. Thursday. Call 817-738-9215 or visit themodern.org
Thu., March 6, 6 p.m., 2008