Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

British Sea Power

Do You Like Rock Music? (Rough Trade)

Share

  • rss

By Chris Parker

Published on February 27, 2008 at 1:39pm

On its 2003 debut, The Decline of British Sea Power, U.K. indie-rockers British Sea Power laid buzz-saw guitars on top of an expansive, psych-tinged background. The band's 2005 follow-up, Open Season, sacrificed some of that steely bite for strings and swooning textures. Without jagged guitar slashes propelling them, the songs frequently sank beneath the weight of their chilly new-wave swirl and shimmer. Do You Like Rock Music? doesn't quite respond to its own question with a deafening yes, but the album's grit and glamour are better calibrated this time around. Opener "All in It" features a marching choir of voices; "Lights Out for Darker Skies" has a nervy jangle that spins off into dreamland; and the gauzy, arena-sized "Waving Flags" sounds positively spiritualized. And that's just the first third of the CD.

Do You Like Rock Music? sags a bit in the middle, but regroups in time for the eight-minute finale, "We Close Our Eyes," which reaches an atmospheric intensity that Coldplay's Chris Martin has only to read about.