Most Popular

  • The Hard Lie
    How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
  • American Girls
    Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
  • Bless Us, Oh Lard
    Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
  • The Dirt Doctor
    How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
  • For Whom the Bell Tolls
    Electronic monitoring may dramatically curb truancy. So why isn't DISD interested?

Recent Articles

Recent Articles by Michael Roberts

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

DeVotchKa

A Mad & Faithful Telling (Anti-)

By Michael Roberts

Published on March 20, 2008

When music-industry experts advise fledgling musicians how to achieve success, few probably suggest developing a weird blend of rock, pop and exotic folk music. DeVotchKa has done so anyhow, though, and A Mad & Faithful Telling is the highly enjoyable result.

Because the group stays true to the rudiments of its sound, devoted fans won't be caught off-guard by the stylistic flourishes contained herein: the Eastern European pizzazz of "Comrade Z," the waltz-centric "Blessing in Disguise." Yet even first-time listeners should warm to the likes of "Transliterator," built upon Tom Hagerman's lovely violin playing, Nick Urata's beguilingly woozy vocals and an arrangement that moves effortlessly from an introduction inspired by classical etudes to an aggressively melodramatic middle section and back again.

No sane artist would attempt to create such a hybrid. Thank goodness, then, that DeVotchKa's latest is thoroughly Mad.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com