By Jim Schutze
By Rachel Watts
By Lauren Drewes Daniels
By Anna Merlan
By Lee Escobedo
By Alice Laussade
By Scott Reitz
I won't name names, but after listening to an album by a certain "alt-bluegrass" combo, a mini-epiphany alighted: Why listen to a half-assed, smug-hipster version of bluegrass when the real thing— Ralph Stanley, Gibson Brothers, even Alison Krauss—is available? Listening to the Avett Brothers posed a similar argument until a realization: They're not a bluegrass band, but rather a punk string band.
True, the Avett Brothers are inspired by acoustic icons New Lost City Ramblers and Doc Watson (with whom they once shared a bill). But the group—siblings Scott (vocals, guitar and banjo) and Seth Avett (guitar and vocals), plus acoustic bassist Rob Crawford—isn't trying to emulate the standard-bearers.
Formed in Greenville, North Carolina, The Avett Brothers yearned to merge punk irreverence with roots music. Their latest album, Emotionalism, can evoke the Ramones reincarnated as folkies (the thorny opener "Die Die Die"), and the lilting "Pretty Girl From San Diego" suggests Jamaican calypso. The Avetts don't break their necks conveying down-home "authenticity"—instead, harmonies are rough, pitch is beside the point, and there are few displays of instrumental "technique." But like the best punk rock, bluegrass and folk music, theirs are stick-to-the-ribs tunes with heart a-plenty.
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