Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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The Caretaker
One mother's crusade to better the life of her mentally retarded son and the system that failed him
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Stand and Deliver
WIth No Deliverance, The Toadies revert to the bare bones of their past
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Morning Wood
My Morning Jacket is the best live band in the world
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They Shall Be Comforted
Friends and faith buoy the family of a slain Christian music producer
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Recent Articles
Recent Articles by Ben Westhoff
Shwayze (Geffen)
Tuesday, August 26, at House of Blues
Partie Traumatic (Almost Gold)
Despite drinking enough syrup to kill a small horse, Lil Wayne is actually quite calculated
Seeing Sounds (Star Trak/Interscope)
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N.E.R.D.
Seeing Sounds (Star Trak/Interscope)
Published on July 03, 2008
N.E.R.D.'s third album is the compact-disc equivalent of an ad campaign trying to appeal to the Red Bull/BlackBerry generation. "We gotta make it passionate," you can almost hear Pharrell telling the guys in the studio. "And retro! And political! You know, some really fucked-up crazy awesome nuts shit!" And so we get a song to bash Bush by ("Time for Some Action"), a track to snort coke off supermodels by ("Everybody Nose") and a "thoughtful" Beatles-esque ballad ("Sooner or Later") to impress the left-wing Victoria's Secret babe on the ride home. The group's moniker has never been more appropriate: Seeing Sounds is all technique, no soul. Every sampler-tweaked and computer-manipulated moment feels micro-managed. Turns out human emotion cannot be created with Pro Tools.