Ramona and Beezus

Ramona and Beezus: Despite the presence of Mouse House starlet Selena Gomez, Ramona and Beezus is less Disney than Hallmark Channel, a loose adaptation of Beverly Cleary's first novel in her beloved kid-lit series that's wholesome to the point of dull. Elizabeth Allen's innocuous film charts Ramona Quimby (Joey King)...

By Nick Schager

July 22, 2010

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Ramona and Beezus: Despite the presence of Mouse House starlet Selena Gomez, Ramona and Beezus is less Disney than Hallmark Channel, a loose adaptation of Beverly Cleary's first novel in her beloved kid-lit series that's wholesome to the point of dull. Elizabeth Allen's innocuous film charts Ramona Quimby (Joey King) as she suffers a series of embarrassments in front of family, friends and classmates. King captures Ramona's spunky, oddball spirit, but her imaginative antics, often embellished with ill-fitting fantasy CGI, frequently take a backseat to the inconsequential romantic predicaments of big sis Beezus (Gomez) and aunt Bea (Ginnifer Goodwin). Ramona's story admirably attempts to address issues of adult abandonment, social alienation and economic instability, the last of these via a timely subplot about Ramona's dad (John Corbett) being downsized that's wrapped up with disingenuous happily-ever-after tidiness. Yet even more than the overriding milquetoast atmosphere, it's this focus on real-world fears that destabilizes Allen's film, as the plethora of pressing adult concerns eventually becomes so pronounced that any trace of comedic verve dissipates.

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Nick Schager is a regular film contributor at Voice Media Group. VMG publications include Denver Westword, Miami New Times, Phoenix New Times, Dallas Observer, Houston Press and New Times Broward-Palm Beach.