By Lauren Drewes Daniels
By Alice Laussade
By City of Ate
By Scott Reitz
By Lauren Drewes Daniels
By Alice Laussade
When Avner Samuel, a revered titan of the Dallas dining scene, this summer dismantled Aurora—where the famed Grand Tasting menu cost about what a minimum-wage worker takes home each week—he saved its most accessible elements, stitching them into a new concept he's calling Nosh.
Samuel purposely lifted the expression from a language that doesn't have words for "black truffles" or "Champagne cart." The word Nosh, which rings the menu, is supposed to convey informality and whimsy. It's meant to reassure diners that they can get away with grazing here, to suggest it's perfectly OK to order an $11 salami sandwich and a $6 saucer of hummus and declare it dinner.
So Nosh is a decent restaurant name. But Samuel really should have called his new place Schmooze.
4216 Oak Lawn Ave.
Dallas, TX 75219
Region: Uptown & Oak Lawn
Nosh is where lunching ladies come to gab and bespoke couples flock to sun in Avner and wife Celeste's attentions. Servers, apparently schooled in the Samuel style of customer care, fawn over regular guests, asking after friends and relatives who aren't at the table. The earth-toned room reverberates with empty conversations: Dining there feels a bit like gathering in a clubhouse, without the hassle of hauling out a golf bag.
Many Nosh regulars apparently have a greater appetite for the restaurant's false familiarity than its beautifully composed small plates: I watched a number of women turn their expensive faces away from uneaten salads and seared scallops to chat with staff members, including a server who made my first two visits so distinctly unpleasant that I returned for a third meal as a palate cleanser.
This particular server made a point of introducing himself and shaking my hand, which might have struck me as a friendly gesture had it been the last time he touched me. Hardly. He cupped his hand around my shoulder while reciting specials, squeezed my arm when he offered me another cocktail and patted me on the back whenever he felt like it. Perhaps sensing his unbidden demonstrativeness wasn't bringing us any closer, he rallied to recall the good old days:
"I remember waiting on you two at The Green Room," he said with the confidence intimacy bestows.
Well, no: My dinner date had never visited The Green Room. We shook our heads dismissively, but Mr. Hands-On seemed unconvinced.
I imagine there are Nosh diners who would have just gone along with the server's revisionist history, which was certainly in keeping with the phoniness that clouds the restaurant's studiously casual dining room no matter which servers are on the floor. I found the ambiance unappetizing, but perhaps I'm too easily distracted: Surely there are eaters who don't let a smattering of insincerity interfere with their enjoying a good meal.
And the food is very good at Nosh. There are a few dishes with a down-market flair that don't quite work: Watching chef Jon Stevens' classical-leaning kitchen fuss with burgers and cheese grits is vaguely embarrassing, like seeing your mother in a short skirt from Forever 21. On the other end of the seriousness spectrum, there are dishes so canonical that it's hard to muster much excitement about them: A flawless duck confit ornamented with sweet cherries immediately fades into memories of dozens of similar dishes.
But, between those poles, there's an array of dishes that are playful and precise. There's a startling amount of mastery invested in Nosh's noshes, the vast majority of them bearing single-digit price tags.
When I worked as a fine-dining server, I had a coworker who'd rattle off a list of recommendations that ended with a calculated pause that riveted guests more reliably than the dessert tray. "I'm fixing to talk about the lamb," he'd say, making clear this dish was so winning it required an introduction.
Folks, I'm fixing to talk about the escargot fritters.
Neither of my servers mentioned the escargot fritters. They persisted in pointing out which items were most popular, which is a pretty shabby way of determining what's best on a menu. Restaurant-goers most frequently order the food they know, which is why diners guided by popularity end up eating calamari and crème brûlée along with everybody else. They don't get to try escargot fritters.
I'm wary of using the term "snail goo," since I suspect it might repel fastidious diners. But that may be the best way to describe the fritters' glorious cream filling, speckled with chopped escargot and gently fried. The fritters, served in a cone and garnished with delicate threads of Parmesan, are accompanied by a citrus-scented tartar, but there's no need for saucing. The crisp fritters are a terrific upscale riff on the State Fair's yearly deep-fried shenanigans, a perfectly suitable snack for la fete d'etat.
Equally exciting is the "Town and Country" pâté plate, a preparation that betrays a lingering allegiance to elegance. The rustic pâté is homey and coarse, but the real stunner is a glass jar of rich, velvety pâté that kings and queens must use as butter. Completing the bistro trifecta, there's a small serving of pickled vegetables, including a few sonorous cornichons.
It's best to adopt a Gallic attitude when ordering, since the dishes without a French accent have a sad tendency to disappoint. Even nubs of Jonah crab can't rescue a tidy column of tuna tartare from yawn-inducing pedestrianism. The tuna's fresh and pretty, but the tower's overpowered by a generous spritz of stringent yuzu sauce. I didn't have any better luck with an overcooked quail joined by a sodden side salad of oil and smoky bacon.