Wow - Not to mention that Next To Normal has broke all attenance records and was reviewed as Excelent by everyone but you. Go Figure.
By Lauren Smart
By Jane R. LeBlanc
By Lauren Smart
By Elaine Liner
By Jim Schutze
By Rachel Watts
Diana, played with one angry facial expression by Patty Breckenridge, is a bipolar housewife and mother who undergoes electroshock therapy and attempts suicide. Left in her choppy wake are her unfeeling husband (Gary Floyd) and emotionally overwrought teenage son (impressive newcomer Anthony Carillo) and daughter (Erica Harte). On the sidelines of angst are the daughter's pothead boyfriend (Jonathan W. Gilland) and Diana's therapists (both played by Jonathan Bragg).
Directed by Michael Serrecchia, Uptown's production, the first regional N2N, looks gorgeous, with a three-story set by Andy Redmon and sharp lighting by Jason Foster. Musical director Scott A. Eckert's small backstage ensemble rips along nicely behind the over-miked cast. But it all feels like a small chamber musical spread out on too large a stage. The ending is slightly more upbeat than the two and a half hours before it, but not enough to prohibit pharmaceutical assistance to get through the rest of the night. Take 'em if you got 'em.
2403 Flora St.
Dallas, TX 75201-2415
Category: Performing Arts Venues
Region: Downtown & Deep Ellum
Last and least is Pippin, running at Theatre Three. "We've got magic to do/just for you," the cast promises in the opening number of the 1972 Stephen Schwartz rock musical, based loosely on the life of medieval King Charlemagne. They never deliver magic, nothing close to it, in a messy, sluggish staging by director-designer Bruce R. Coleman. On the tiny in-the-round stage, the lumpy chorus, wearing what appear to be odd pieces of clothing filched from recycling bins, including a Nazi helmet, a yachting cap, jog bras, bloomers and molting boas, dry-hump each other in combinations of bad Fosse and '80s Jazzercise. It goes on for ages. Magic? David Blaine in a block of ice was more entertaining.