Where does a memory rest? And more important, what does it look like? Could an artist capture it in a painting? In her latest series, Rebecca Carter attempts exactly that. Using machine stitching on digitally generated color fields, she uses linear forms to create images both familiar and strange. She derives her art in Sleep Architecture and the Dream House from data she gathered over several months of sleep mapping. Her work will be on display at RE Gallery, 1717 Gould St., through April 19. The opening reception is at 6 p.m. Friday. Entry to the gallery is always free.
Fri., March 21, 7 p.m., 2014